Tag Archives: Poetry

No Business As Usual

On the first day of classes at Columbia yesterday, some students poured red paint over the Alma Mater statue in the Quad as an opening salvo. My photo of the bloodied statue, a symbol that there would be no business as usual on the campus as the U.S. sponsored assault on Gaza continued, went viral on X.

I am in touch almost daily with my mentees in and from Gaza, so I hear their firsthand accounts of what they and their families are living. You can read their work: Sahar Rabah has two poems in The Markaz Review, and We Are Not Numbers posted Nadera Mushtha’s essay about the destruction of her family’s olive grove.

As this genocide grinds into its twelfth month, my young friends sound increasingly despairing. The driving rain over the weekend flooded tents, destroying people’s belongings and raising the specter of waterborne diseases. Every week someone loses another family friend, a cousin, or a former professor to an Israeli bombing attack in a civilian area. As another young person I know put it, “There are no humanitarian areas in Gaza; every corner is soaked in blood.”

In addition to my work with We Are Not Numbers, I have been volunteering with the Gaza Scholarship Initiative for Displaced Students, which is helping to find spots in U.S. and European institution of higher learning for undergraduate and graduate students whose universities have been destroyed. Some of these students, the ones who managed to exit Gaza before the Rafah crossing was wrecked and sealed, are already on U.S. campuses. Some of them are still trapped in Gaza, their universities having deferred their admissions to the Spring semester. Sahar is one of these students; she should be at Rutgers in the MFA Program in Creative Writing right now, and the hope is that she will be able to get to Cairo as soon as the border opens so she can fly to the U.S. in December for a January start in Newark.

When will the genocide stop? When will the border open? And how can we speak of Gaza without mentioning the horrors  currently going on in the West Bank, as Israeli politicians threaten to turn it into a “mini-Gaza”?

I heard a former Israeli hostage negotiator named Gershon Baskin on Democracy Now this morning talking about how to come to a deal to end the carnage in Gaza, and he said, “…it will take extreme American pressure on Netanyahu to make a deal. And the Americans have the pressure, if they were to choose to use it.”

Vice-President and presidential contender Kamala Harris claimed that she was heartbroken over the scale of the suffering in Gaza; she claimed that the Biden Administration has been working around the clock for months to get a ceasefire deal. As Palestinian-American poet, novelist, and psychologist Hala Alyan put it in her recent New York Times Op-Ed,

I appreciate Ms. Harris’s broken heart. What I’d appreciate more is a direct naming of who is killing and starving Palestinians, acts that are neither inevitable nor without a perpetrator. I’d appreciate the upholding of international law through sanctions and an arms embargo. 

Tell the Biden Administration and Congress to Stop Arming Israel.

Yours in struggle,

Nancy K

P.S.

Red Hen Press, which is celebrating its 30th Anniversary this year and will be publishing my new novel in April 2025, received a great writeup in Publishers Weekly.

I wanted to share this brilliant and moving piece, entitled “Gloves On,” by Anne Carson about “the black doorway” and living with Parkinson’s Disease.


Freedom to Write for Palestine

Last week I gave the opening remarks at Freedom to Write for Palestine at Judson Memorial Church in Manhattan. This memorable gathering of writers was brilliantly curated and produced by Omar Hamilton and Sharif Kouddous of the Palestine Festival of Literature, and it was recorded for posterity. Writers Against the War on Gaza and Amplify Palestinerounded out the organizing team, and everyone’s efforts came together beautifully. Publishers Weekly and New York Magazine did great coverage of the event, placing it in the context of the controversy surrounding PEN America’s terrible response to the genocide in Gaza and the efforts of writers to hold the organization to account.

Here is an excerpt from my introduction:

While PEN America has organized a street rally in support of Ukrainian writers imprisoned and killed by Russia and taken a delegation of Ukrainian writers to meet with Congress, it has yet to organize any public event on behalf of Palestinian writers who have been imprisoned and killed by Israel. PEN International, English PEN, and PEN South Africa called for a ceasefire in Gaza five full months before PEN America did, and PEN America’s call came only after over a thousand writers had signed a letter denouncing the organization for its inaction. PEN America’s priorities so often align with the U.S. government’s own foreign policy goals that one writer quipped, ‘PEN America has been turned into an outpost of the U.S. State Department.’

While the leadership at PEN America is being roundly denounced for its double standards on Israel and Palestine, many of its staff members’ work in this area and on other issues is being stymied and undermined. We would like to give a shout out to PEN America United, the union representing PEN America’s staff, which has been trying to get a fair contract for over eighteen months. PEN’s Chief Executive Officer’s salary was disclosed to be $465,000 in 2022, and in recent contract negotiations management proposed a $48,500 minimum starting salary for staff, well below industry standards and hardly a living wage in New York City. In addition to her annual salary, which has likely increased over the past two years, PEN’s CEO earns an additional undisclosed six-figure yearly sum for serving on Meta’s Oversight Board. As one sign at a PEN America United rally phrased it, “Are fair wages banned too?”

The evening raised over $8,000 for We Are Not Numbers (WANN), a youth-led organization in Gaza that trains a new generation of Palestinian writers. At the top of the program, Michelle Alexander read a poem by my friend and WANN mentee Haya Abu Nasser. When WANN alumni Mahmoud Alyazji read a remembrance with an accompanying film about his best friend Mohammed Zaher Hammo, who was killed in an Israeli airstrike with his family, there were audible sounds of weeping in the audience, and I venture to say there was not a dry eye in the house. After musician Huda Asfourplayed a final song to close out the evening, which was by turns inspiring, moving, and galvanizing, we all headed out into the world with firm resolve to continue fighting for Palestinian freedom.

In the meantime, the situation in Gaza has grown increasingly catastrophic as Israel drops bombs on displaced, starving people living in tents, and gives confusing, impossible evacuation orders to families with no place to go. Repression at home continues to be brutal as riot police are summoned to break up peaceful student Gaza solidarity encampments. I have made a chant by the Columbia students a new motto, “Disclose, Divest. We will not stop. We will not rest.”

Nancy Kricorian


Spring Flowers

It is a great relief that winter is over—I find that the parade of spring flowers makes everything slightly more bearable. April is National Poetry Month, and I can recommend Two of Haya Abu Nasser’s beautiful and moving new poems, which posted on The Evergreen Review this week. In a recent issue of the New York Review of Books, Mosab Abu Toha’s poem “The Moon” was stunning, and I was bowled over by Ibrahim Nasrallah’s “Palestinian.”

Thanks to everyone who has donated to Haya’s brother Ahmed’s fundraiser, his cousin was able to register him at the Cairo travel office. Now we wait for his name to appear on the Gaza crossing list. We are not far from reaching our goal so that his upcoming medical, educational, and living expenses will be covered, and it would be a great help if you could share the GoFundMe link with people who might donate. I will keep you updated on how things develop.

My spouse James was quoted in a Variety article about Jewish creatives signing a letter in support of filmmaker Jonathan Glazer, whose speech at the Oscars caused a stir. James also signed another letter by Jewish Columbia faculty members rejecting the weaponization of claims of anti-Semitism.

A hybrid documentary short film entitled “The Script”, which was co-directed by our progeny Noah Schamus, is up on The New Yorker. And their debut feature Summer Solstice was picked up for distribution by Cartilage Films, and will be opening in New York City in mid-June.

I recently learned from Red Hen Press that the official publication date for my new novel, The Burning Heart of the World, will be April 1, 2025. We already have a beautiful cover featuring a digital collage by Mariam Tamrazyan, but the publicist recommended that I not share it publicly until six months before the launch. This novel about Armenians in Beirut has been a long time coming, and I’m very much looking forward to sharing it with you.

Nancy Kricorian


Love is a Practice of Freedom

Haya and her brother Ahmad on the beach in Gaza before the war

I am writing this with a heavy heart. Today’s images from the ruins of Al Shifa Hospital have me reeling. The genocidal maniacs have sunk to a new low, and Joe Biden is a full partner in this unconscionable carnage, which has killed and maimed tens of thousands of civilians and is designed to make Gaza uninhabitable. With the bombing of the Iranian consulate in Damascus today it seems they are pushing for a wider regional war.

I have been mentoring Haya Abu Nasser, a young Palestinian writer from Gaza through the We Are Not Numbers program, which was recently featured on The Rumpus. I have placed six of Haya’s beautiful and devastating poems in prominent literary magazines, including “At The Cliff of Death,” which was published by Mizna.

After being internally displaced four times, and spending months in a tent in Rafah, a few weeks ago Haya was able to leave Gaza and make her way to Malaysia where she is enrolled in a masters program in International Affairs. Haya’s family is still in Gaza, and she wants to help her brother Ahmed get out for medical treatment and to finish his BA degree. He has asthma, is malnourished, and was recently diagnosed with hepatitis. So Haya and I have started a GoFundMe campaign. Ahmed has only two courses left to become a Renewable Energy Engineer. The funds raised will secure his safe passage out of Gaza, cover his university tuition, as well as his medical and living expenses. Please donate if you can and share if you will.

My friend Nadera Shalhoub-Kevorkian, a professor at Hebrew University who lives in the Armenian Quarter of Jerusalem, has been subjected to a campaign of harassment and was suspended from teaching because of her speaking out against Israel’s genocidal campaign in Gaza. Thankfully she was reinstated last week. During a recent interview on the excellent podcast Makdisi Street, she talked about ashla, the Arabic word for the scattered body parts that families have been collecting after bombings in Gaza. She expanded the meaning of ashla to include the scattered remnants of the Palestinian people, as well as the divided and enclosed Palestinian enclaves in the West Bank and Gaza. She said, “We theorize about the flesh, but Palestine…I’m putting at the center the scattered body parts, the body bags, and the dead bodies, the burned bodies.” I hope you will listen to the whole interview, because as painful as some of the details are, her analysis is brilliant, and she ends with hope. She speaks about the love that people feel for each other and for the land in Palestine, and she dreams of a future that is free of settler colonial necropolitics. As she puts it, “Love is a practice of freedom.”

Nancy Kricorian


Advice for the Longest Year

Detail of Liza Lou’s Kitchen (1991-1996)

Yesterday when I started drafting this blog post, I ended up spending two hours writing about the December 11th killing of Barnard Freshman Tess Majors in Morningside Park and the subsequent NYPD Security Theater outside my kitchen window. I realized there was nothing edifying, informative, or helpful in what I had written, although it was cathartic for me, and so I put it in the failed drafts folder.

We made it through a turbulent 2019, and we’re now into a new year that started with an illegal and provocative assassination of an Iranian General and, if anxiety and incertitude are a measure of length, this very long year will continue with the longest Presidential election cycle in human history. So herewith is my “listicle” of ways to maintain sanity and equilibrium in 2020, which was composed in part in the middle of the night as I turned in my bed like a rotisserie chicken.

1. ORGANIZE: Housing is a Human Right

Read about #Moms4Housing in Oakland, and how community organizing turned a violent eviction into a big win. This is an inspiring story, and something to build upon.

2. ORGANIZE AGAIN: Why We Need A Green New Deal

Listen to The Dig Podcast Episode “Planet to Win,” a detailed and hopeful discussion about how the Green New Deal might change America for the better.

3. WATCH A GOOD FILM

Go see Kitty Green’s The Assistant, a brilliant and dark film about one day in the life of the junior assistant of an abusive boss. It’s not just about predation—it’s also gimlet-eyed view on capitalist exploitation of young people. The film is poised to become part of a movement to change the culture of Hollywood. Watch the trailer here. Opening in NYC and LA on January 31, theaters and show times may be found here.

4. MAKE COMFORT FOOD

Order a copy of Lavash: The Bread That Launched 1,000 Meals, Plus Salads, Stews, and Other Recipes From Armenia, and cook an Armenian meal for your loved ones. You can read more about the book and try sample recipes here and here.

5. ORGANIZE SOME MORE: #NotMeUS

Read this Jacobin piece about why Bernie Sanders is the candidate who can beat Trump, watch this moving campaign video, and join the #NotMeUs movement.

6. LAUGH

In response to the New York Times’ ridiculous double endorsement of Amy Klobuchar and Elizabeth Warren for president, read Alexandra Petri’s hilarious takedown, “In a Break From Tradition, I am Endorsing All 12 Democratic Candidates.”

7. LISTEN TO MUSIC

Onnik Dinkjian’s many decades of performing Armenian folk music is covered in this piece from Houshamadyan, and it includes recordings of some of Dinkjian’s most beloved songs.

8. SEEK OUT WISDOM

Listen to Grace Paley read her short story “Traveling”, and read Walter Mosley’s loving remembrance of Toni Morrison. Read also these beautiful poems from Kurdistan.

9.  LEARN SOMETHING NEW

American linguists have recently voted the singular “they” as the word of the decade. And Ivan Coyote’s 2014 piece “Fear and Loathing in Public Bathrooms” helped expand my thinking about the tyranny of the gender binary.

10. LOOK FOR BEAUTY

Last week I went to the Whitney Museum to see Making Knowing: Craft in Art, 1950-2019. There were a lot of great pieces in the show, but I was absolutely bowled over by Liza Lou’s KITCHEN, a life-sized beaded room filled with furniture, appliances, pots, pans, cereal boxes, and more that took the artist five years to produce. The show is up through January 2021, and a new show of Mexican muralists will be opening at the Whitney in February so you could take in both.

11. GO FOR A WALK IN THE WOODS

I’ve been reading out-of-print books by naturalist and writer Alan Devoe, who lived down the road from our house in the country from the 1930’s to the mid-50’s. In the middle of World War II, which was a time of destruction, violence, and despair on a global scale, Devoe wrote, “It is good, for instance, just to shut off the radio for a while, throw away the newspaper, and go out into the warm darkness of a country night and listen to the frogs.” He also recommended listening to the wrens singing, and said, “They are singing directly into our aboriginal ears, an information that all the pessimists and pedants are mistaken, and the life adventure is a greater and gladder thing than mere learnedness might ever surmise.”

Nancy Kricorian