Deeply, Madly, Incontrovertibly
Some years ago at a regional film festival, a member of the festival’s board (who was also the wife of a media executive) approached me and said, “Congratulations!” I was puzzled. Had she somehow heard about the sale of my new novel? When she added, “You must be so proud of James,” I realized she was congratulating me on the fact that my husband was being awarded the festival’s screenwriting prize. When these kinds of felicitations for my spouse’s successes came my way again I was no longer confused, but I was mildly annoyed. I had my own accomplishments and didn’t feel it necessary to take credit for his, although I was indeed proud of him. But when INDIGNATION premiered at Sundance last month, I was more than ready to accept the congratulations. I had been involved with James’s directorial debut every step of the way, and had made every kind of investment—literal and figurative—that one could make. I also love and admire the film—deeply, madly, and incontrovertibly. (And I’m a tough critic, having once told my elder daughter that she was the second-best actor in the 4th grade production of Romeo and Juliet.)
The world premiere screening of INDIGNATION at the Sundance Film Festival sold out and the film won over the audience. It was delightful when everyone broke into spontaneous applause at the end of my favorite scene in the film. The Hollywood Reporter gave the film an intelligent RAVE and did a short video interview with James, and actors Logan Lerman, Sarah Gadon, and Tracey Letts. Lionsgate bought the North American distribution rights hours after the screening, which means the film will be coming to a theater near you later this year at a yet-to-be-determined date. And FilmNation has sold distribution rights around the globe—tell your overseas friends to look out for it. INDIGNATION’S European premiere is scheduled for February 14 at the Berlin Film Festival. I call that the best Valentine’s Day gift ever.
New York City
February 5, 2016