2024 February

Our kids are watching a genocide in real time on social media, and they see the moral bankruptcy of our institutions—government, media, academy, cultural organizations—and they are enraged. Gaza is their Vietnam. Last weekend hundreds of protesters took over the atrium of the Museum of Modern Art in mid-town Manhattan, dropping banners that said FREE PALESTINE and LONG LIVE GAZA. They filled that large hall with chants for freedom and against the corruption of the museum’s trustees. It was a bold, beautiful action and a feat of brilliant organizing. But the U.S.-made and subsidized bombs continue to rain down on Gaza, children are dying, people are starving, and nothing we have done these past months seems to be having an impact on the depraved and cruel slaughter.

On social media, Palestinian poet Mosab Abu Toha wrote, “I don’t know what democracy means for the Western world! Every time we hear Westerners making fun of the Arabs that ‘they don’t have democracy like us!’ That we in the Arab world cannot protest against dictators, etc. Well, I don’t think you in the West have democracy at all. How many times have people taken to the street demanding a ceasefire in Gaza!? What did your western governments do to listen to your democratic action? On the contrary, they never stopped supporting our slaughter with bombs and cash, they hurried to cut funds that attempt to help us in our tents.”

Through We Are Not Numbers, for the past month I have been mentoring Haya Abu Nasser, an extraordinarily talented young Palestinian writer who is internally displaced in Gaza and living in a tent after having been displaced four times. Haya has only intermittent access to the Internet and to electricity, and is under constant threat of bombardment. All of our communication is via WhatsApp messaging, and every morning I check to see if she has answered me, to make sure that she has survived another night. She wrote a beautiful and devastating essay entitled “Surviving Beneath Gaza’s Tempest Skies” about her daily life. I have recently begun submitting her poems to literary magazines. The first fruit of that effort was placing “Remember Our Names” with Scoundrel Time, and this poem was featured in LitHub Daily on 6 February. Since then we have placed two poems with Evergreen Review and one with Guernica for upcoming publication.

As the heart breaks and breaks again watching a horrific genocidal campaign against the Palestinians of Gaza, a campaign that has the full-throated support of the Biden Administration (ignore the bleating complaints and look at the weapons and cash being sent to keep the murder machine running), my best hope is our solidarity and witness. Read this nuanced and melancholy piece by my friend Mashinka Firunts Hakopian about Armenian-Palestinian solidarities. Don’t look away from Gaza. Don’t stop speaking out for Palestine. As Vasily Grossman put it in his magisterial World War II novel Life and Fate, “Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil, struggling to crush a small kernel of human kindness. But if what is humane in human beings has not been destroyed even now, then evil will never conquer.”

Nancy Kricorian

I have been distracted, lately cycling between rage and grief, while having difficulty sleeping. Images and stories about Israel’s horrific genocidal campaign in Gaza are the stuff of nightmares. I often think about my Armenian genocide survivor grandmother’s stories about her experiences during The Deportations. They were starving, the dead and dying were all around, and she ended up one among 8,000 orphaned Armenian children in a refugee camp in the Syrian desert on the outskirts of Ras al Ain.
 
I wake up in the middle of the night to check Instagram and WhatsApp to see if my friends in Gaza have posted updates or responded to my messages. I want to know whether they have survived to see another day. One of them has lost thirty pounds because of how little food there is. Another has been displaced four times and is living in a tent.
 
Since 2015, I have been part of the We Are Not Numbers literary mentorship program that pairs established authors with young writers in Gaza. Enas, one of my former mentees, left Gaza for the first time in her life to attend the Palestine Writes conference in September, and was unable to return home—she’s living with an aunt in New Jersey and is worrying around the clock about her family, who are displaced in Gaza with little access to clean water, adequate food, and medicine, and under constant threat of being killed in Israel’s indiscriminate bombing campaign that has to date murdered over 11,000 children. I helped raise money for Hossam, another mentee, who has a large social media presence and is therefore a particular target, to get across the border with his family, but the list is long and the wait seems interminable. I started with a new mentee, Haya, several weeks ago, and I’m sick with worry about her and Hossam. I recently worked with Haya on this moving piece about what daily life is like for her right now.
 
In addition to this brutal reality, repression on the Columbia and Barnard campuse are entirely bonkers, and my spouse James, who has been teaching at Columbia for over thirty years, is spending hours writing letters to the new “Task Force on Anti-Semitism.” This task force includes no actual experts on the subject—and there are a few of those on the faculty who might have been invited to join. The task force is co-chaired by known Israel boosters, and when James asked them how they define anti-semitism, they replied that they don’t have a definition. They are just getting a sense of the feelings and the vibes on the campus. Meanwhile, two weeks ago several Israeli students used a banned chemical weapon against a protest on the Quad, sending close to a dozen students to the hospital. 
 
On the German cultural scene, it seems that collective guilt about the Holocaust has morphed into a feeling that Germany must stand by Israel no matter how genocidal the Israeli government’s actions are. An artist friend, who lives half-time in Berlin and half-time in Brooklyn, has been sending us weekly updates about the cancellations and other forms of punishment being meted out against writers and artists who call for a ceasefire or advocate for accountability. She told us about her friend the Bosnian-Serbian novelist Lana Bastašić (I read her award-winning novel CATCH THE RABBIT recently and was very impressed) who has been subject to this harsh discipline. This week I saw Lana’s principled and humane statement on Instagram, which was then published on LitHub.
 
It is clear that we need to be fighting on two fronts—and excuse me for using military metaphors, but this really does feel like a struggle for survival. We must redouble our calls for a ceasefire and our efforts to push the Biden Administration to stop arming, funding, and providing diplomatic cover for a genocide in Gaza. On the same day that the International Court of Justice ruled that South Africa had presented a plausible case of genocide against Israel, the U.S. government announced it was “pausing” its support for UNRWA, the largest and most effective aid agency on the ground in Gaza, increasing the threat of more deaths by hunger and disease. You can donate to UNRWA’s life-saving work here. And at the same time that we take action to stop a genocide, we must also push back against the silencing of advocacy for Palestinian freedom.