Greetings, dear friends. In this most horrific of times as we continue to watch a livestreamed genocide in Gaza, I’m sending you a quick note about two upcoming events. Both are benefits for organizations providing medical care and psychosocial support to Palestinian children.
On Saturday, November 9th from 3-5 p.m. on Zoom, I will be offering a workshop entitled Life Stories that is part of Workshops for Gaza, which organizes online classes and workshops on a variety of topics to raise money for Palestinians who are trying to survive the ongoing genocide of their people and the destruction of their homeland.
LIFE STORIES: In this workshop with novelist Nancy Kricorian, participants will use family stories and oral history as a point of departure for writing fiction and narrative nonfiction. Participants will read short prose pieces by authors such as Grace Paley, Jayne Anne Phillips, and William Saroyan, then work on a series of in-class writing exercises to be shared and discussed.
I have selected the Ghassan Abu Sittah Children’s Fund as the recipient of monies from my workshop. In 2017 when I was on a research trip to Beirut, I met Dr. Ghassan Abu Sittah, a plastic and reconstructive surgeon who is a close friend of a friend. As I listened to his stories at a café in Hamrah, I was impressed by the work he did with children who had been injured in war zones. When the genocide started in Gaza I was amazed and awed to see him in news reports from the besieged hospitals in the Strip.
You can sign up for the workshop here. You may donate to the Ghassan Abu Sittah Children’s Fund here.
Also on November 9th, I will be participating in a reading entitled Translators Against Genocide from 6-8 p.m. at The People’s Forum in Manhattan. I’m a bit of a cuckoo’s egg as a novelist in this lineup of literary translators, including my friends Susan Bernofsky, Nick Glastonbury, and Kira Joseffson. The event is part of the Writers for Palestine series and will be a benefit for the Palestine Children’s Relief Fund.
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I’ll write a longer message soon. In the meantime, please read Arundhati Roy’s brilliant PEN Pinter Prize acceptance speech. And as poet Eileen Myles tells us, do everything you can to stop the U.S.-sponsored genocide in Gaza and mass murder in Lebanon.
On the first day of classes at Columbia yesterday, some students poured red paint over the Alma Mater statue in the Quad as an opening salvo. My photo of the bloodied statue, a symbol that there would be no business as usual on the campus as the U.S. sponsored assault on Gaza continued, went viral on X.
I am in touch almost daily with my mentees in and from Gaza, so I hear their firsthand accounts of what they and their families are living. You can read their work: Sahar Rabah has two poems in The Markaz Review, and We Are Not Numbers posted Nadera Mushtha’s essay about the destruction of her family’s olive grove.
As this genocide grinds into its twelfth month, my young friends sound increasingly despairing. The driving rain over the weekend flooded tents, destroying people’s belongings and raising the specter of waterborne diseases. Every week someone loses another family friend, a cousin, or a former professor to an Israeli bombing attack in a civilian area. As another young person I know put it, “There are no humanitarian areas in Gaza; every corner is soaked in blood.”
In addition to my work with We Are Not Numbers, I have been volunteering with the Gaza Scholarship Initiative for Displaced Students, which is helping to find spots in U.S. and European institution of higher learning for undergraduate and graduate students whose universities have been destroyed. Some of these students, the ones who managed to exit Gaza before the Rafah crossing was wrecked and sealed, are already on U.S. campuses. Some of them are still trapped in Gaza, their universities having deferred their admissions to the Spring semester. Sahar is one of these students; she should be at Rutgers in the MFA Program in Creative Writing right now, and the hope is that she will be able to get to Cairo as soon as the border opens so she can fly to the U.S. in December for a January start in Newark.
When will the genocide stop? When will the border open? And how can we speak of Gaza without mentioning the horrors currently going on in the West Bank, as Israeli politicians threaten to turn it into a “mini-Gaza”?
I heard a former Israeli hostage negotiator named Gershon Baskin on Democracy Now this morning talking about how to come to a deal to end the carnage in Gaza, and he said, “…it will take extreme American pressure on Netanyahu to make a deal. And the Americans have the pressure, if they were to choose to use it.”
Vice-President and presidential contender Kamala Harris claimed that she was heartbroken over the scale of the suffering in Gaza; she claimed that the Biden Administration has been working around the clock for months to get a ceasefire deal. As Palestinian-American poet, novelist, and psychologist Hala Alyan put it in her recent New York Times Op-Ed,
I appreciate Ms. Harris’s broken heart. What I’d appreciate more is a direct naming of who is killing and starving Palestinians, acts that are neither inevitable nor without a perpetrator. I’d appreciate the upholding of international law through sanctions and an arms embargo.
Red Hen Press, which is celebrating its 30th Anniversary this year and will be publishing my new novel in April 2025, received a great writeup in Publishers Weekly.
I wanted to share this brilliant and moving piece, entitled “Gloves On,” by Anne Carson about “the black doorway” and living with Parkinson’s Disease.
It’s unsettling to carry on with daily rituals and activities while Israel’s genocidal assault on Gaza rages on. Each morning, I check to see what horror unfolded while I was asleep, looking for mentions of the areas where my mentees and their families are sheltering. Each day I communicate with Haya, Sahar, and Nadera about their various writing and educational projects. I continue my involvement with Writers Against the War on Gaza, and use my social media platforms to amplify the reports coming out of Gaza and the West Bank. None of it feels like enough. To keep myself from an unending cycle of despair, anxiety, and rage, I have been spending time in the woods and the meadow as a kind of walking meditation.
The other morning after a night of pouring rain, I went for a walk on the trails behind our house. There were so many Red Efts on the path, that I had to watch my feet so I wouldn’t step on them. I started counting them as I walked, and quickly reached two dozen. I have been fascinated with these creatures since I was in sixth grade and a boy in our class brought in a terrarium with three that he was keeping as pets.
I think of the Red Eft as the teenager form of the Eastern Newt, which is a type of salamander that lives in this region. When they first hatch in the vernal pond, they are aquatic larvae or tadpoles that breathe underwater. In their next phase, they become Red Efts, which are orange with two rows of red dots circled in black down their backs. At this point, they are terrestrial and breathe air. After two to three years, they change again to their final adult aquatic form, when their coloration shifts to a dull olive green back with a yellow belly. But they still have the black-rimmed spots. An Eastern Newt can live in the wild for up to eight or ten years but have been recorded to live to fifteen.
I’ve also been watching the Ruby-Throated Hummingbirds at the feeder outside my study window. They fly circuits around the yard, sipping nectar from flowers and the feeder.
The only hummingbirds found in the northeastern United States, they are very territorial, and there are lots of buzzy altercations. The adult male has the eponymous iridescent red throat, and its tail feathers are pointed and dark. The adult female and juvenile male and female have white throats and white tips on the outer tail feathers.
Recently, I have also seen twin White-Tailed Deer fawns grazing in the meadow behind the house, their mother always within a few yards. Several years ago, Djuna and I were walking in the woods when we wandered off the trail and discovered a days-old fawn sleeping in a hollow under a fallen tree. Luckily, I had learned that it was fine for a fawn to be left alone for up to twelve hours at a time while its mother foraged for food. In fact, it was safer for a newborn like this to stay on its own because it blended into the forest and hadn’t yet developed an odor that would attract predators. When White-Tailed Deer fawns are born, they have white spots on their sides. These spots disappear when they are between three to six months old and grow in their winter coats. In our area, the spots are generally gone by October.
It’s been raining all week, and the other day during a blustery downpour, I looked out the bedroom window to see two dozen House Finches perched under the eaves of our front porch. That made me wonder what all the other birds were doing in the foul weather brought to our region by Hurricane Debbie. Birds that nest in cavities, such as Chickadees, can take shelter there. Birds that roost on branches, such as Blue Jays, perch on a thick branch next to the tree’s trunk during a storm.
What’s the difference between a frog and a toad? Frogs have smooth, damp skin and toads have dry, bumpy skin. Frogs have longer legs made for jumping and swimming. Toads tend to have shorter legs. Frogs tend to live near a body of water because they need to keep their skin moist, but toads can be found in the forest. Tree frogs need to be near water, but they aren’t great swimmers.
How can you tell the difference between a butterfly and a moth? Butterflies have smooth, club-like antennae and moths have feathered or branched antennae with no rounded club shape at the end. We generally think of butterflies as having large, brightly colored wings, but Skippers are a group of small, chunky butterflies, and several species are drab gray or brown.
And now on a few other topics…
My friends at the International Armenian Literary Alliance (IALA) posted about the upcoming publication of my novel THE BURNING HEART OF THE WORLD. If you pre-order the book through this link, IALA receives a small portion of the proceeds.
For Tempest Magazine, our daughter Djuna wrote a clear-eyed and disturbing piece about Israel’s use of artificial intelligence to generate “kill lists” in Gaza.
My new We Are Not Numbers Mentee (WANN) Nadera wrote a poem called “The Child and the Olive Tree.” My former WANN mentee Hossam managed to evacuate to Cairo a few months ago, but he and his siblings are now in need of financial support because they can’t get work permits in Egypt.
Everything feels rather dire right now, from the awful clown show of American politics, to the terror of a burning planet, so I’ve again been finding solace in the natural world. I saw a Scarlet Tanager flitting through the tree canopy the other day, and after hearing its eerie, echoing song at the top of the ridge, I finally caught a glimpse of a Hermit Thrush. We have been eating oyster mushrooms and chanterelles that I foraged in the woods, as well as copious greens from our garden. And sunsets by the pond have been spectacular.
I just handed in the copy edited manuscript of my novel, The Burning Heart of the World, which will be published on April 1, 2025 by Red Hen Press, and can now be pre-ordered from Bookshop.org. A publisher decides how many copies to print in part based on the number of preorders, so ordering the book ahead is a good way to support an author, including yours truly. I have started scheduling events for April in Los Angeles, New York, and Detroit. If you want me to come to a bookstore (or a community center) near you, let me know. I will also be available for in-person and virtual reading group visits.
Also on the literary front, I was disappointed to read a terrible story about much admired and lauded fiction writer Alice Munro, but I loved this interview in Mizna with poet Chase Berggrun.
Last month my elder child Noah’s debut feature film, Summer Solstice, opened for limited runs in New York and Los Angeles. It received a rave review and was a Critic’s Pick in the New York Times. The Los Angeles Times review was also excellent. Noah did a number of interviews, among them one in Variety, one in Filmmaker, and another in Film Stage.
As Israel’s genocidal campaign in Gaza grinds into its tenth month, a small bright spot was the fact that Armenia recognized the Palestinian state. Mary Turfah’s piece Running Amok, about the horrific images Israeli soldiers are posting from Gaza and what they mean about Zionism past and present, was a tough read in the Baffler. Israeli historian Ilan Pappe wrote a bracing piece about The Collapse of Zionism in the New Left Review. Some of my new organizer friends were involved in a Gaza protest during New York City’s Pride parade. I have started working with a new mentee in Gaza through We Are Not Numbers—a collaboration made difficult by the intermittent and poor Internet access Nadera has in Shujaya. I hope to be able to share one of her essays soon.
Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil, struggling to crush a small kernel of human kindness.
~ Vasily Grossman, LIFE AND FATE
In this bleak time, I find hope in the organizing I have been doing with Jewish Voice for Peace, We Are Not Numbers, Writers Against the War on Gaza, and like-minded friends and comrades. Last week I went to Albany for the Not on Our Dime campaign rally and press conference organized by State Assembly Member Zohran Mamdani. I count myself lucky that our family is united in opposition to Israel’s genocidal campaign in Gaza, and that our circle of friends is filled with people who have been speaking out against the atrocities we are witnessing daily on our smart phones.
I have been so focused on the horror in Gaza that I can only tolerate a few minutes a day of contemplating the dire situation in Armenia, as the Armenian government’s tense negotiations over demarcating “disputed” areas of the border with Azerbaijan have resulted in the handover of some villages, which is causing much internal strife. In the meantime, in ethnically cleansed Artsakh, Azerbaijan’s destruction of Armenian cultural heritage proceeds apace. And then there is the dubious land deal threatening the Armenian Quarter of Jerusalem, which occurs at the intersection of things Armenian and Palestinian.
In March, I wrote a talk for a beleaguered group of dissident grad students at an unnamed university, which according to the students’ accounts has turned into a quasi-totalitarian state. This essay, in which I avoided certain terms at the request of my hosts who feared repercussions of stating things too baldly in that context, was recently published by The Markaz Review: “A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance.”
PalFest posted video of my introduction to the Freedom To Write for Palestine event at Judson Church on May 7. My friend and Armenian tutor Sosy Mishoyan and I did a Western Armenian translation of Mosab Abu Toha’s poem, “Things You May Find Hidden in My Ear.” Two of my mentee Haya Abu Nasser’s powerful poems appeared in The Massachusetts Review at the end of last week. And my spouse James wrote an open letter to Columbia’s Task Force on Antisemitism in response to said task force’s dangerous conflation of antisemitism and anti-Zionism.
Beloved Armenian illustrator, artist, and writer Nonny Hogrogian passed away recently, and her obituary in the New York Times gives a sense of her long and storied life, most of it spent with her devoted husband and collaborator David Kherdian, to whom I sent my profound condolences. Nonny’s Caldecott Award picture book One Fine Day is a perennial favorite, and it is my custom to send a copy of that book to friends upon the birth of their first child.
On a brighter note, James and I recently celebrated our 35th wedding anniversary. The week before that milestone, our daughter Djuna graduated from New York University Law School. The commencement ceremony was interrupted twice by the unfurling Palestinian flags in front of the podium and approximately 100 of the 500 graduates, including Djuna, were wearing keffiyehs. In September she will be starting a fellowship at the Center on Race, Inequality, and the Law at NYU. And next week our elder child Noah’s debut feature film Summer Solstice will be playing at the IFC Center in Manhattan.
