Tag Archives: personal narrative

We have gone from a war on an abstract noun (terror) to a war on immigrants and asylum seekers. The southern border has been declared a military zone and crossing any border has left tourists, students, green card holders, and citizens prey to arbitrary questioning and possible detention. Another Columbia student was kidnapped, and in Gaza the genocide continues unabated. No humanitarian aid has entered Gaza since March 2^nd of this year, and this week Israeli defense minister Israel Katz announced that none will enter. His brazen remarks about the weaponization of food are basically the trumpeting of a war crime, but who will hold Israel to account?

Yesterday 25-year-old Fatma Hassona, a writer and photographer, was killed in Gaza. In January 2024, she was the sole survivor of an Israeli airstrike that killed most of her. On April 16, she and the remaining members of her family were killed in another airstrike in Gaza City. She was mourned in Gaza by young people who knew her or knew of her work.

Nadera wrote on Facebook, I could not sleep, Fatma, after you were killed. I saw all your photos as if they were glued to my eyelids, and I saw your words and texts that I read over and over in front of me in lines like a fence. Your departure killed me, Fatma, but it also killed our whole generation.

Sahar wrote to me, I’m thinking about Fatma, I think about her fiancé. She had only been engaged for two months, and she dreamed of a good life like any other girl in Gaza. I carry something like a rock on my heart and tonight it feels heavier than that. Fatma is gone. Mahasen, the painter, is gone. Dina, the painter is gone. Dhargham is gone (he was working on presenting small plays for children in tents). Muhammad Sami is gone. He was playing with children in the Baptist Hospital building when it was bombed last year. The friends I know are disappearing one by one. I swear to you that yesterday I felt that Gaza was extinguished, completely extinguished when Fatima left. You don’t know how much Fatima inspired girls like me and Nadera and all of us with her strength and her love for everything. By photographing the beautiful Gaza, which is still beautiful. What do we have left now?

I wrote back to Sahar:

I know that it is so hard because of the suffering of your people, of the destruction of Gaza, and because of the sense of powerlessness in the face of this unrelenting violence and cruelty. I am far from Gaza and in a basically safe place with plenty of food and water, but I struggle here to not give into despair because of this sense of impotence in the face of their depravity (all these horsemen of the apocalypse). I repeat this motto over and again, “The only recognizable feature of hope is action.” And I try to do something every day. Being in touch with you, helping you edit poems, sending your poems out to magazines…working on your graduate school applications, following up on them. These are things that give me hope. I want you to try to keep your eyes and your heart pinned on your bright future. Mourn your losses, suffer for your people, but don’t give up hope.

Repeat after me: The only recognizable feature of hope is action (Grace Paley). Choose your lane, find your people (Mariame Kaba). Freedom is a constant struggle (Angela Davis). The voice of the people is louder than the roar of the cannon (Armenian proverb).

Yours in struggle,

Nancy K

READ

My mentee Nadera Mushtha’s piece on the destruction of Gaza’s cemeteries: This genocide must be stopped, so that our city that was once a calm place for both the living and the dead will stop being a rubble-strewn necropolis. 

Ben Ehrenreich’s beautifully written and wrenching piece about the West Bank in Harper’s: The camp’s young men had seen enough to believe that they would be killed whether they fought or not. “So, they started asking themselves, ‘Why wait for them to kill us?’ 

The following are all pieces related to the launch of my novel earlier this month. An essay I wrote for LitHub about my grandmother, a 1940 Shirley Temple movie, the Armenian Genocide, and my writing life. An interview I did with photojournalist and photo editor Aline Manoukian on the 50^th Anniversary of the start of the Lebanese Civil War via Hyperallergic. Kate Tuttle wrote about the new novel for The Boston Globe (sorry it’s behind a paywall). An interview I did with Eleanor Bader for In These Times. Coverage of our The Politics and Poetics of Memory panel on April 1 at OxyArts. A snappy Q & A I did for the Armenian International Women’s Association (AIWA). Coverage of a visit I made to talk with 8^th grade students at St. Gregory’s Armenian School in Pasadena.

WATCH & LISTEN

Also related to my book launch. Super dynamic Author2Author Podcast interview I did with Bill Kenower. Video recording of my conversation with Nanore Barsoumian as part of the Literary Lights series on April 15. A Twitter live interview about The Burning Heart of the World with NPR’s Scott Simon for his Open Book series.

SUPPORT

If you would like to support The Burning Heart of the World and you’re a member of Goodreads, you can review and rate the new book here. You can ask your local public library or your neighborhood independent bookstore to order it. Or you can purchase a copy directly from Red Hen Press via IndiePubs.

The first phase of the Gaza ceasefire started on Sunday, and my friends in Gaza experienced the relief of knowing that they had survived fifteen months of a relentless and brutal military campaign against them. One friend went to the shore for the first time in months without fear of being killed by a drone or a quadcopter. Another said they felt joy akin to that of a national holiday, despite the devastating losses that they were still reckoning with. Much is still unknown about what comes next, but there is hope and there will be nights without the constant sounds of missiles, rockets, and drones. I have heard that Trump may force Netanyahu to stick to the phased agreement because Trump, ever in competition with Obama, wants a Nobel Peace Prize and he also wants a deal between Saudi and Israel. Trump has no ideological commitments, unlike Biden who is an avowed Zionist, and perhaps in this case his self-interest will result in something less horrible. May Gaza rise like a phoenix from these ashes and mounds of rubble.

With the ascendancy of Trump and his horsemen of the apocalypse, I’m going to take my news in controlled daily doses. They want us exhausted and demoralized, so we’re going to have to pace ourselves for the hard work ahead.

In other news, when esteemed fiction writer and Nobel laureate Alice Munro died in May 2024, the obituaries were full of praise and the remembrances were glowing. In July, Munro’s daughter Andrea Robin Skinner published a piece entitled, “My Stepdad Abused Me. My Mother Chose to Stay with Him” that reverberated like a bombshell throughout the literary world. Skinner detailed the sexual assault she suffered at the hands of Munro’s second husband and the woefully inadequate way that her parents responded to the abuse when they learned about it, her father months after the incident and her mother years later.

In the 80’s and 90’s, Munro had been one of my favorite writers, and I still have my copies of her books on the shelf. When I read her 1994 Paris Review interview, I had copied out a few lines that I loved into my book of quotations.

I’m doing less personal writing now than I used to for a very simple obvious reason. You use up your childhood, unless you’re able, like William Maxwell, to keep going back and finding wonderful new levels in it. The deep, personal material of the latter half of your life is your children. You can write about your parents when they’re gone, but your children are still going to be here, and you’re going to want them to come and visit you in the nursing home. Maybe it’s advisable to move on to writing those stories that are more observation.

In December, heavily researched pieces about the deeply disturbing story of her daughter’s abuse and Munro’s reactions to it, including ways the writer plumbed the experience in her fiction, were published in The New York Times, The New York Review of Books, and The New Yorker. Writers took to social media to express their dismay and disappointment about someone they had considered to be a literary model, and there were a number of articles about how this new knowledge informs readings of her work.

Last week, New York Magazine dropped an article entitled “There is No Safe Word” about writer Neil Gaiman’s years of sexual predation, which he denied in a statement that I found less than convincing. His former spouse Amanda Palmer didn’t come off too well either. I wish I hadn’t encountered some of the grim details described in the piece, and you might want to read about the article rather than reading the thing itself.

What are we to do about the work we admire by people that we discover have done hideous things? Cultural critic Glen Wheldon has decided to keep past books, but not to engage with future work (which is not an option with Munro, who is no longer alive and writing). I often think about Louis Ferdinand Celine, whose vertiginous and compelling 1932 novel Voyage Au Bout de La Nuit I read and loved when I was a grad student in Paris. How to reconcile the fact that this brilliant author also wrote virulently anti-Semitic pamphlets and embraced fascism? In the New Yorker, Adam Gopnik claims that, “You can’t separate what’s powerful about his writing from his vile anti-Semitism.” He goes on to suggest that the work and the man require a compound response: “an ability to admire, a refusal to censor, and a readiness to condemn.” I find myself, in this rare instance, agreeing with him.

Yours in struggle,

Nancy Kricorian

Recommended reading

Mohammed El-Kurd’s new book PERFECT VICTIMS will be published by Haymarket Books on February 11, and you can pre-order a copy here.

An excellent piece by Jane Partizpanyan via the Armenian Weekly about Genocide in Gaza, a media cover-up, and our moral obligation as Armenians.

Also from the Armenian Weekly, Armenian Women Bake Bread and Hope: “…during the blockade, we understood what bread truly means — standing in line all night for just one loaf and returning home empty-handed without knowing how to feed our children.”

Samia Saliba has made a list of 31 recommended SWANA books being published in the first half of 2025, and my novel THE BURNING HEART OF THE WORLD (which can be preordered here) is included.

Recommended viewing

Wonderful lecture on the origins of Armenian-American music by Ara Dinkjian via Houshamadyan.

Last week’s excitement was the arrival of the advanced reading copies of my novel THE BURNING HEART OF THE WORLD from Red Hen Press. (You may preorder the novel from Bookshop by using this link that supports the International Armenian Literary Alliance.) I am in the process of correcting the page proofs, and I have been working with the publicist to set up book events for the spring. The full details are not yet available but below is an overview of the current lineup.

March 26-29 AWP Conference in Los Angeles, events at the Red Hen Press booth

Monday, March 31 at Diesel Books in Brentwood, in conversation with Talar Chahinian

Tuesday, April 1 panel at OxyArts with Mashinka Firunts Hakopian, Joanne Nucho, Ara Oshagan

Wednesday, April 2 at the Glendale Public Library in conversation with Shahe Mankerian

Thursday, April 3 at Red Hen Press in Pasadena with poets Lory Bedikian and Arthur Kayzakian

Monday, April 7 at Columbia University in conversation with Marianne Hirsch

Wednesday, April 9 at Greenlight Bookstore in Brooklyn in conversation with Raffi Khatchadourian

Tuesday, April 15 at NAASR in Belmont in conversation with Nanore Barsoumian

Thursday, April 17 at Porter Square Books in Cambridge in conversation with Lisa Gulesserian

Sunday, April 27 in the Detroit area for the local Armenian community

It’s December now and we have a winter to get through, but April and the book launch are on the horizon.

When I was growing up, each year in December, our small Armenian Evangelical Church would put on a Christmas pageant featuring a manger scene, complete with the requisite holy family, three kings, some shepherds, and an array of angels. We sang carols from a small white booklet with red-cheeked choir boys on the cover, and among my favorites were “We Three Kings of Orient Are,” probably because of the dirgeful key, and “God Rest Ye Merry Gentlemen.” Just now when I was thinking of the chorus of that second song, I misremembered it as “tidings of comfort and light,” when it is actually “comfort and joy.”

Joy seems a bit too ambitious for this holiday season as the horsemen of the apocalypse, many more than four of them, are galloping towards us. I’ve lately stopped asking people, “How are you?” which is too fraught a question in these troubled times, and instead have been saying, “It’s so good to see you.” And there is nothing better right now than gathering in the real world with friends, family, and comrades. We need each other now more than ever.

Wishing you comfort and light,

Nancy K

THIS MONTH’S RECOMMENDATIONS

READ

The latest issue of Wasafiri Magazine, entitled Armenia(n)s—Elevation is now available for purchase. My essay “His Driving Life,” about my late father and his relationship to motor vehicles, is available for free download to the first 50 readers. If you miss the chance for the free version, let me know and I will send you the PDF.

A powerful essay about life in Shujaiya in Northern Gaza entitled The Mirror by Nadera Mushtha, one of my We Are Not Numbers mentees. (Nadera’s GoFundMe is here.)

“The Bullet,” a poem by Sahar Rabah, translated from the Arabic by Ammiel Alcalay. Sahar was accepted into the MFA Program in Creative Writing at Rutgers/Newark, but she has had to defer her admission because she is unable to leave Gaza. The crossings are closed to all but a handful of severely injured people who have been allowed to evacuate for medical care abroad.

LISTEN

For the London Review of Books podcast, Adam Shatz interviewed Dr. Ghassan Abu Sittah, a pediatric plastic and reconstructive surgeon, and journalist Muhammad Shehada about Gaza’s past, present, and future.

The Intercept’s Briefing “Syria: What Comes Next?” is an excellent and informative interview with Syrian journalist Rami Jarrah.

WATCH

Indiewire’s 17 Best First Films of 2024 includes our progeny Noah’s Summer Solstice, which is described as a “sun-dappled and warmly directed buddy comedy.” If you haven’t yet seen it, the film is currently streaming on several platforms.

Nancy Kricorian

Greetings, dear friends. In this most horrific of times as we continue to watch a livestreamed genocide in Gaza, I’m sending you a quick note about two upcoming events. Both are benefits for organizations providing medical care and psychosocial support to Palestinian children.

On Saturday, November 9^th from 3-5 p.m. on Zoom, I will be offering a workshop entitled Life Stories that is part of Workshops for Gaza, which organizes online classes and workshops on a variety of topics to raise money for Palestinians who are trying to survive the ongoing genocide of their people and the destruction of their homeland.

LIFE STORIES: In this workshop with novelist Nancy Kricorian, participants will use family stories and oral history as a point of departure for writing fiction and narrative nonfiction. Participants will read short prose pieces by authors such as Grace Paley, Jayne Anne Phillips, and William Saroyan, then work on a series of in-class writing exercises to be shared and discussed.

I have selected the Ghassan Abu Sittah Children’s Fund as the recipient of monies from my workshop. In 2017 when I was on a research trip to Beirut, I met Dr. Ghassan Abu Sittah, a plastic and reconstructive surgeon who is a close friend of a friend. As I listened to his stories at a café in Hamrah, I was impressed by the work he did with children who had been injured in war zones. When the genocide started in Gaza I was amazed and awed to see him in news reports from the besieged hospitals in the Strip.

You can sign up for the workshop here. You may donate to the Ghassan Abu Sittah Children’s Fund here.

Also on November 9th, I will be participating in a reading entitled Translators Against Genocide from 6-8 p.m. at The People’s Forum in Manhattan. I’m a bit of a cuckoo’s egg as a novelist in this lineup of literary translators, including my friends Susan Bernofsky, Nick Glastonbury, and Kira Joseffson. The event is part of the Writers for Palestine series and will be a benefit for the Palestine Children’s Relief Fund.

I’ll write a longer message soon. In the meantime, please read Arundhati Roy’s brilliant PEN Pinter Prize acceptance speech. And as poet Eileen Myles tells us, do everything you can to stop the U.S.-sponsored genocide in Gaza and mass murder in Lebanon.

Yours in struggle,

Nancy K

On the first day of classes at Columbia yesterday, some students poured red paint over the Alma Mater statue in the Quad as an opening salvo. My photo of the bloodied statue, a symbol that there would be no business as usual on the campus as the U.S. sponsored assault on Gaza continued, went viral on X.

I am in touch almost daily with my mentees in and from Gaza, so I hear their firsthand accounts of what they and their families are living. You can read their work: Sahar Rabah has two poems in The Markaz Review, and We Are Not Numbers posted Nadera Mushtha’s essay about the destruction of her family’s olive grove.

As this genocide grinds into its twelfth month, my young friends sound increasingly despairing. The driving rain over the weekend flooded tents, destroying people’s belongings and raising the specter of waterborne diseases. Every week someone loses another family friend, a cousin, or a former professor to an Israeli bombing attack in a civilian area. As another young person I know put it, “There are no humanitarian areas in Gaza; every corner is soaked in blood.”

In addition to my work with We Are Not Numbers, I have been volunteering with the Gaza Scholarship Initiative for Displaced Students, which is helping to find spots in U.S. and European institution of higher learning for undergraduate and graduate students whose universities have been destroyed. Some of these students, the ones who managed to exit Gaza before the Rafah crossing was wrecked and sealed, are already on U.S. campuses. Some of them are still trapped in Gaza, their universities having deferred their admissions to the Spring semester. Sahar is one of these students; she should be at Rutgers in the MFA Program in Creative Writing right now, and the hope is that she will be able to get to Cairo as soon as the border opens so she can fly to the U.S. in December for a January start in Newark.

When will the genocide stop? When will the border open? And how can we speak of Gaza without mentioning the horrors  currently going on in the West Bank, as Israeli politicians threaten to turn it into a “mini-Gaza”?

I heard a former Israeli hostage negotiator named Gershon Baskin on Democracy Now this morning talking about how to come to a deal to end the carnage in Gaza, and he said, “…it will take extreme American pressure on Netanyahu to make a deal. And the Americans have the pressure, if they were to choose to use it.”

Vice-President and presidential contender Kamala Harris claimed that she was heartbroken over the scale of the suffering in Gaza; she claimed that the Biden Administration has been working around the clock for months to get a ceasefire deal. As Palestinian-American poet, novelist, and psychologist Hala Alyan put it in her recent New York Times Op-Ed,

I appreciate Ms. Harris’s broken heart. What I’d appreciate more is a direct naming of who is killing and starving Palestinians, acts that are neither inevitable nor without a perpetrator. I’d appreciate the upholding of international law through sanctions and an arms embargo. 

Tell the Biden Administration and Congress to Stop Arming Israel.

Yours in struggle,

Nancy K

P.S.

Red Hen Press, which is celebrating its 30^th Anniversary this year and will be publishing my new novel in April 2025, received a great writeup in Publishers Weekly.

I wanted to share this brilliant and moving piece, entitled “Gloves On,” by Anne Carson about “the black doorway” and living with Parkinson’s Disease.

Everything feels rather dire right now, from the awful clown show of American politics, to the terror of a burning planet, so I’ve again been finding solace in the natural world. I saw a Scarlet Tanager flitting through the tree canopy the other day, and after hearing its eerie, echoing song at the top of the ridge, I finally caught a glimpse of a Hermit Thrush. We have been eating oyster mushrooms and chanterelles that I foraged in the woods, as well as copious greens from our garden. And sunsets by the pond have been spectacular.

I just handed in the copy edited manuscript of my novel, The Burning Heart of the World, which will be published on April 1, 2025 by Red Hen Press, and can now be pre-ordered from Bookshop.org. A publisher decides how many copies to print in part based on the number of preorders, so ordering the book ahead is a good way to support an author, including yours truly. I have started scheduling events for April in Los Angeles, New York, and Detroit. If you want me to come to a bookstore (or a community center) near you, let me know. I will also be available for in-person and virtual reading group visits.

Also on the literary front, I was disappointed to read a terrible story about much admired and lauded fiction writer Alice Munro, but I loved this interview in Mizna with poet Chase Berggrun.

Last month my elder child Noah’s debut feature film, Summer Solstice, opened for limited runs in New York and Los Angeles. It received a rave review and was a Critic’s Pick in the New York Times. The Los Angeles Times review was also excellent. Noah did a number of interviews, among them one in Variety, one in Filmmaker, and another in Film Stage.

As Israel’s genocidal campaign in Gaza grinds into its tenth month, a small bright spot was the fact that Armenia recognized the Palestinian state. Mary Turfah’s piece Running Amok, about the horrific images Israeli soldiers are posting from Gaza and what they mean about Zionism past and present, was a tough read in the Baffler. Israeli historian Ilan Pappe wrote a bracing piece about The Collapse of Zionism in the New Left Review. Some of my new organizer friends were involved in a Gaza protest during New York City’s Pride parade. I have started working with a new mentee in Gaza through We Are Not Numbers—a collaboration made difficult by the intermittent and poor Internet access Nadera has in Shujaya. I hope to be able to share one of her essays soon.

Thanks for reading. I hope you’re keeping cool.

Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil, struggling to crush a small kernel of human kindness.

~ Vasily Grossman, LIFE AND FATE

In this bleak time, I find hope in the organizing I have been doing with Jewish Voice for Peace, We Are Not Numbers, Writers Against the War on Gaza, and like-minded friends and comrades. Last week I went to Albany for the Not on Our Dime campaign rally and press conference organized by State Assembly Member Zohran Mamdani. I count myself lucky that our family is united in opposition to Israel’s genocidal campaign in Gaza, and that our circle of friends is filled with people who have been speaking out against the atrocities we are witnessing daily on our smart phones.

I have been so focused on the horror in Gaza that I can only tolerate a few minutes a day of contemplating the dire situation in Armenia, as the Armenian government’s tense negotiations over demarcating “disputed” areas of the border with Azerbaijan have resulted in the handover of some villages, which is causing much internal strife. In the meantime, in ethnically cleansed Artsakh, Azerbaijan’s destruction of Armenian cultural heritage proceeds apace. And then there is the dubious land deal threatening the Armenian Quarter of Jerusalem, which occurs at the intersection of things Armenian and Palestinian. 

In March, I wrote a talk for a beleaguered group of dissident grad students at an unnamed university, which according to the students’ accounts has turned into a quasi-totalitarian state.  This essay, in which I avoided certain terms at the request of my hosts who feared repercussions of stating things too baldly in that context, was recently published by The Markaz Review: “A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance.” 

PalFest posted video of my introduction to the Freedom To Write for Palestine event at Judson Church on May 7. My friend and Armenian tutor Sosy Mishoyan and I did a Western Armenian translation of Mosab Abu Toha’s poem, “Things You May Find Hidden in My Ear.” Two of my mentee Haya Abu Nasser’s powerful poems appeared in The Massachusetts Review at the end of last week. And my spouse James wrote an open letter to Columbia’s Task Force on Antisemitism in response to said task force’s dangerous conflation of antisemitism and anti-Zionism.

Beloved Armenian illustrator, artist, and writer Nonny Hogrogian passed away recently, and her obituary in the New York Times gives a sense of her long and storied life, most of it spent with her devoted husband and collaborator David Kherdian, to whom I sent my profound condolences. Nonny’s Caldecott Award picture book One Fine Day is a perennial favorite, and it is my custom to send a copy of that book to friends upon the birth of their first child.

On a brighter note, James and I recently celebrated our 35^th wedding anniversary. The week before that milestone, our daughter Djuna graduated from New York University Law School. The commencement ceremony was interrupted twice by the unfurling Palestinian flags in front of the podium and approximately 100 of the 500 graduates, including Djuna, were wearing keffiyehs. In September she will be starting a fellowship at the Center on Race, Inequality, and the Law at NYU. And next week our elder child Noah’s debut feature film Summer Solstice will be playing at the IFC Center in Manhattan.

I have been meaning to write about Columbia’s Gaza Solidarity Encampment since last week, and if I had written this last weekend, the tenor would be very different. Two nights ago, the encampment was destroyed by the New York Police Department, and the students barricaded in Hamilton Hall were arrested along with others in the encampment and outside the university gates. At the same time, hundreds of students were also brutalized and arrested at City College twenty blocks north. But for almost two weeks, the encampment on the Columbia Quad was a beautiful space of community and learning where Palestinian freedom was the focus. And students at Columbia started a movement that has to date spread to over 150 campuses around the country, and their principled actions were seen and appreciated by Palestinians in Gaza and around the globe. My Palestinian friend Haya, who escaped Gaza and is now in exile in Malaysia, wrote: These students are so strong and so great; I swear they’re teaching a generation how to fight for freedom. They are talking about Columbia University’s protests everywhere on Arabic website and my friends’ Facebook pages.

When the students took over Hamilton Hall in the early hours on Tuesday and renamed it Hind’s Hall, after a six-year old Palestinian girl whose desperate and doomed calls for help were heard round the world, I could only think back to the 1985 blockade of Hamilton that I was part of (and my post on X/Twitter about this went viral). I wasn’t one of the organizers, but when my friends and I heard what had happened we immediately ran to the newly named Mandela Hall and were there in shifts for the next three weeks. In 1968 the students had barricaded themselves IN the same building, but we were outside with the exterior doors padlocked. In the daytime there was a festival atmosphere, and at night it was mostly calm, although I remember at least one night when we were afraid the NYPD was going to come in to clear us—it turned out to be mostly a scare tactic. There was a lot of surveillance by Columbia security–which seems quaint now. Back then it was men with cameras. Now they have surveillance drones buzzing overhead and have deployed new—not always reliable—facial recognition technology. And Columbia’s president in 1985, Michael Sovern, came out to speak with us, unlike the current president, Baroness (yes, she is a literal Baroness) Manouche Shafik. I remember singing a version of a freedom song, “Sovern can you hear us, we shall not be moved, like a tree that’s planted by the water, we shall not be moved.” And we all despised him because he represented everything oppressive about the institution. But in retrospect, compared to the Baroness, he seems downright cuddly.

My spouse teaches at Columbia, and we live near the campus. James has been speaking out repeatedly and strongly about the misuse of accusations of antisemitism to smear and undermine the student movement, hurling all his Jewishness against the conflation of anti-Zionism and antisemitism. It was so awful two nights ago when hundreds and hundreds of cops streamed into the Quad and the surrounding blocks. Our entire neighborhood was a closed military zone. And I heard they were using tear gas, but apparently not. “No tear gas was used, but flash-bang devices designed to distract were used as police moved in, the NYPD spokesperson said.” Flash bang devices. So sad that the beautiful encampment was cleared, and all those students were arrested and that there will be cops on the campus until May 17, at the request of Manouche Shafik.

What transpired on Tuesday night was much scarier and uglier than what we faced in 1985. The current students are principled and brave in the face of this unconscionable level of violence and repression. On the night of April 24, I went to the encampment for a teach-in on the Armenian Genocide led by the students of Columbia Armenians for Palestine. They talked beautifully and movingly about the 1915 Genocide, the ethnic cleansing of Artsakh, and the connections between those tragedies and what is unfolding in Gaza right now, as a trapped civilian population is being bombed, starved, and immiserated. While they spoke in turn, they held up three flags—Armenia, Artsakh, and Assyria. Their solidarity was authentic, intelligent, and inspiring.

These students are watching a genocide stream in real time on their smart phones, and they are seeing the bankruptcy of all our institutions: political, academic, and cultural. They keep insisting that all eyes should be on Gaza, not on them. Gaza is their Vietnam. And the Baroness who runs Columbia—along with billionaire trustees and cartoon villain politicians egging her on—has radicalized a generation. 

Nancy Kricorian

P.S. If you are in NYC, please join us next Tuesday, May 7 at 7 p.m. for FREEDOM TO WRITE FOR PALESTINE at Judson Church. Roster of writers and tickets available here. I’ll soon send an update on the Authors for Change at PEN America Campaign.

It is a great relief that winter is over—I find that the parade of spring flowers makes everything slightly more bearable. April is National Poetry Month, and I can recommend Two of Haya Abu Nasser’s beautiful and moving new poems, which posted on The Evergreen Review this week. In a recent issue of the New York Review of Books, Mosab Abu Toha’s poem “The Moon” was stunning, and I was bowled over by Ibrahim Nasrallah’s “Palestinian.”

Thanks to everyone who has donated to Haya’s brother Ahmed’s fundraiser, his cousin was able to register him at the Cairo travel office. Now we wait for his name to appear on the Gaza crossing list. We are not far from reaching our goal so that his upcoming medical, educational, and living expenses will be covered, and it would be a great help if you could share the GoFundMe link with people who might donate. I will keep you updated on how things develop.

My spouse James was quoted in a Variety article about Jewish creatives signing a letter in support of filmmaker Jonathan Glazer, whose speech at the Oscars caused a stir. James also signed another letter by Jewish Columbia faculty members rejecting the weaponization of claims of anti-Semitism.

A hybrid documentary short film entitled “The Script”, which was co-directed by our progeny Noah Schamus, is up on The New Yorker. And their debut feature Summer Solstice was picked up for distribution by Cartilage Films, and will be opening in New York City in mid-June.

I recently learned from Red Hen Press that the official publication date for my new novel, The Burning Heart of the World, will be April 1, 2025. We already have a beautiful cover featuring a digital collage by Mariam Tamrazyan, but the publicist recommended that I not share it publicly until six months before the launch. This novel about Armenians in Beirut has been a long time coming, and I’m very much looking forward to sharing it with you.

Nancy Kricorian

I am writing this with a heavy heart. Today’s images from the ruins of Al Shifa Hospital have me reeling. The genocidal maniacs have sunk to a new low, and Joe Biden is a full partner in this unconscionable carnage, which has killed and maimed tens of thousands of civilians and is designed to make Gaza uninhabitable. With the bombing of the Iranian consulate in Damascus today it seems they are pushing for a wider regional war.

I have been mentoring Haya Abu Nasser, a young Palestinian writer from Gaza through the We Are Not Numbers program, which was recently featured on The Rumpus. I have placed six of Haya’s beautiful and devastating poems in prominent literary magazines, including “At The Cliff of Death,” which was published by Mizna.

After being internally displaced four times, and spending months in a tent in Rafah, a few weeks ago Haya was able to leave Gaza and make her way to Malaysia where she is enrolled in a masters program in International Affairs. Haya’s family is still in Gaza, and she wants to help her brother Ahmed get out for medical treatment and to finish his BA degree. He has asthma, is malnourished, and was recently diagnosed with hepatitis. So Haya and I have started a GoFundMe campaign. Ahmed has only two courses left to become a Renewable Energy Engineer. The funds raised will secure his safe passage out of Gaza, cover his university tuition, as well as his medical and living expenses. Please donate if you can and share if you will.

My friend Nadera Shalhoub-Kevorkian, a professor at Hebrew University who lives in the Armenian Quarter of Jerusalem, has been subjected to a campaign of harassment and was suspended from teaching because of her speaking out against Israel’s genocidal campaign in Gaza. Thankfully she was reinstated last week. During a recent interview on the excellent podcast Makdisi Street, she talked about ashla, the Arabic word for the scattered body parts that families have been collecting after bombings in Gaza. She expanded the meaning of ashla to include the scattered remnants of the Palestinian people, as well as the divided and enclosed Palestinian enclaves in the West Bank and Gaza. She said, “We theorize about the flesh, but Palestine…I’m putting at the center the scattered body parts, the body bags, and the dead bodies, the burned bodies.” I hope you will listen to the whole interview, because as painful as some of the details are, her analysis is brilliant, and she ends with hope. She speaks about the love that people feel for each other and for the land in Palestine, and she dreams of a future that is free of settler colonial necropolitics. As she puts it, “Love is a practice of freedom.”

Nancy Kricorian