At the end of last week, we witnessed from afar horrific attacks that left scores dead and hundreds wounded in Beirut, Baghdad and Paris. These brutal and unconscionable strikes against civilians have been attributed to members of The Islamic State (ISIS), or Daesh (Da’ish).
Daesh is a loose acronym of the Arabic words that mean the same as ISIS: Al Dawla al-Islamyia fil Iraq wa’al Sham. According to The Guardian, the acronym is now an Arabic word in its own right, with its plural daw’aish meaning “bigots who impose their views on others.” The use of this name for the network of extremists who have been terrorizing people ranging from Yezidis in Northern Iraq to Parisians in the 11th Arrondissement robs them of any religious association. It is also a name that they reportedly hate.
But Daesh did not arise out of a vacuum. As Ben Norton cogently argues in his piece Our Terror Double Standard, we in the West must look to our own imperial state violence, including the disastrous, immoral, and illegal U.S. invasion of Iraq, as having created the chaos that allowed the spread of these “non-state” actors who now threaten indiscriminate violence from the Middle East to Europe.
When we mourn the terrible loss of life in Baghdad, Beirut and Paris, we must also mourn the deaths of those killed by the U.S. attack on a Doctors Without Borders hospital in Kunduz, Afghanistan, and by a Saudi-led coalition missile strike on a Yemeni wedding party, or by a month-long Israeli assault, using U.S. weapons and funded by U.S. tax dollars, on trapped civilians in Gaza. All lives are precious.
In response to the recent wave of violence stocks of leading weapons manufacturers have soared, and the U.S. has just sold another billion dollars worth of weapons to Saudi for their bombing campaign that is terrorizing civilians and destroying the architectural heritage of Yemen. And that is why rather than joining the rallying cries for revenge and more carnage, or the xenophobic and racist calls to bar Syrian refugees from our communities, we must redouble our efforts to put an end to these ruinous wars and occupations. As Mother Jones said, “Pray for the dead and fight like hell for the living.”
My Ferrante Fever has abated, but for those of you still in the throes of it, you might want to make Neapolitan pizza or the pistachio creampuffs mentioned in My Brilliant Friend. You might have missed this piece on The Neapolitan Novels as the “anti-epic Epic,” or this one from the Los Angeles Review of Books comparing them to Ta-Nehisi Coates’s Between the World and Me.
Now that I’ve left Naples behind, at least for the moment, I’m back in Beirut during the Lebanese Civil War. I’m currently reading B as in Beirut by Iman Humaydan Younes. One of the four women narrators says, “Men’s fingers stay on the triggers while women look for a safe place for their children.”
Sad to say this piece is the fruit of my final collaboration with Enas Fares Ghannam through the We Are Not Number project. She has a new mentor, and I will start with another young writer in January. But I’m thrilled for her–this is her first ‘official’ publication, and it’s a beautiful essay: “A Neighborhood Ripped Apart in Gaza.”
I’ve been enjoying my semester as Writer-in-Residence at the Kevorkian Center for Near Eastern Studies at New York University. The writing workshop has one more session to go, I did my outreach program presentation for high school teachers last week, and the public event is coming up on November 9th. For those of you in New York City, I hope you will join us on November 9th at the panel discussion entitled Art And Memory: Looking Back and Moving Forward on the Centennial of Armenian Genocide. “Art critic and Hyperallergic editor-in-chief Hrag Vartanian will moderate a conversation about art making, identity, and memory with visual artist Silvina Der-Meguerditchian, photographer Diana Markosian, and novelist Nancy Kricorian.” There will be an associated exhibit of works by Silvina and Diana that will be on display at The Kevorkian Center from November 9th until February 5th.
For the 30th Anniversary celebration of the New York Foundation for the Arts’ Artists Fellowship Program, my novels will be on display as part of Stacks: Three Decades of Writing Fellows with an Installation by Anne Munges. I’ll be at the opening on November 13th, and if you’re in the city, I hope you’ll stop by.
And finally, here is a video by the Lebanese alternative rock band Mashrou’ Leila. It took some work and the help of friends, but James and I managed to snag two tickets to their sold-out show at Le Poisson Rouge on Saturday, October 31. Now that will be some fun.
This is the late October issue of my author newsletter. If you’d like to be added to the distribution list, send a note to nkbookgroup@gmail.com.
Coincident with the September 1st launch of the fourth and final installment of Elena Ferrante’s NEAPOLITAN NOVEL (if you haven’t read them yet, I recommend that you do so immediately), a flurry of reviews, articles and interviews were published. For those of you new to Ferrante, she is an Italian novelist who writes under a pen name and refuses to give in-person interviews or to do public readings, book signings or any other of the promotional work required of authors. (She is NOT on Facebook or Twitter either.)
There was an excellent interview in VANITY FAIR Magazine that started by describing the literary wars going on in Brooklyn: Karl Ove Knausgaard versus Elena Ferrante. Knausgaard is a Norwegian writer who produced a six-volume autobiographical novel entitled MY STRUGGLE. I asked a clerk at the cash register of Book Culture, our local independent bookseller, if there had been arguments among staff about the merits of the two authors—both of them having written recent much praised bestselling multi-volume autobiographical novels. Yes, she told me, each of the authors had passionate champions. I asked, “Does it break down along gender lines?” She said, “No.” But the woman behind the next register said, “Are you kidding? The women prefer Ferrante, and the men swear by Knausgaard.”
Having read all of Ferrante’s novels now available in English, and having made it through two and one half books of Knausgaard’s MY STRUGGLE, I know where my loyalties lie, although I do admire both works.
The London Review Bookshop posted on their blog a letter Ferrante wrote to her publisher before the launch of her first novel in 1991. Her words on book promotion were bracing and funny:
“I do not intend to do anything for TROUBLING LOVE, anything that might involve the public engagement of me personally. I’ve already done enough for this long story: I wrote it. If the book is worth anything, that should be sufficient. I won’t participate in discussions and conferences, if I’m invited. I won’t go and accept prizes, if any are awarded to me. I will never promote the book, especially on television, not in Italy or, as the case may be, abroad. I will be interviewed only in writing, but I would prefer to limit even that to the indispensable minimum.”
Slate published a short piece about the publisher’s decision to use “low-class” images on Ferrante’s novels, and the author’s acquiescence in this decision. The Economist ran a piece about how “a four-volume feminist novel has become an unlikely global hit.” The Atlantic published an interview with Ferrante’s American translator. And then cap it all off and prove how mainstream #FerranteFever had become, Entertainment Weekly ran an interview with the writer.
I won’t catalogue the many ecstatic reviews (you can look those up yourself), but after reading the novels, you might want to visit Ischia, an island off Naples where the novel’s narrator and heroine Elena spends time in the summer, and you might want to check out a travel piece about the place from The Guardian (with requisite quotations from the books). I’m dreaming of a trip to Naples, and hope by the time I get there an entrepreneurial guide will have a devised a walking tour of Ferrante’s City.
At this point, I have over a dozen friends and family members who have read and loved MY BRILLIANT FRIEND and the other books in the series. I’m thinking of hosting a #FerranteFever dinner in a few weeks after everyone has finished book four so we can discuss the puzzling, maddening and probably brilliant ending (don’t worry—no spoilers here!).
One year ago, the people of Gaza were in the middle of Israel’s “Operation Protective Edge,” a 50-day assault that resulted in the deaths of over 2,100 Palestinians, including 551 children. This essay by Enas Fares Ghannam, a young writer in Gaza whom I am mentoring as part of the We Are Not Numbers project, was written during Ramadan this year as she remembered the fear-filled Eid of the summer of 2014.
Enas Fares Ghannam in Gaza
It was the day of Eid; It was another day of war; It was a time to celebrate; It was a time to die; people were praying the Eid prayer; people were praying the funeral prayer; people were decorating their houses; people were evacuating their houses; we were all going directly to heaven; we were all going directly to living hell; it was time to despair; it was time to feel hope; children were playing in swings; children were dying in swings; people were visiting to wish happy Eid; people were visiting to wish mercy for the dead. Last year’s wartime Eid was entangled in my head with this year’s peacetime celebration
The war started during the month of Ramadan last year. Ramadan is the Muslim holy month when the Quran was revealed. We fast from sunrise to sunset for the sake of Allah. At the end of Ramadan we celebrate a Little Eid, which Allah gives to us as a reward for fasting during the Holy Month. Three months later we celebrate Big Eid, which follows the annual pilgrimage to Mecca in Saudi Arabia. This is when we sacrifice a goat for the sake of Allah.
*
I was in the kitchen in the middle of Ramadan last year, with my mother, preparing pizza and meat pies for Iftar, the time after sunset when we break our fast. The food looked delicious and smelled even better, especially because I was so hungry. There was an hour left until Iftar, so I went to my room, opened my laptop computer and started to follow the news about what had happened in Shujaya and the other places in Gaza.
Suddenly I heard a very loud explosion. White dust was everywhere, and I didn’t know what had happened.
My four brothers came and they were all screaming, “A missile hit the balcony. Get out right now.” One of my brothers went close to the balcony to make sure it had been hit, when another missile struck the same place. We all knew that we had to get out of there immediately. Everyone gathered on the ground floor; the children were in shock; no one said a word, but their white faces told everything about their feelings. While we were leaving a third missile hit the house. Our large family left in three cars, going different directions. Two brothers went to the homes of their respective in-laws. I was in the car with my third brother, his family and my parents. He was driving crazily, and I thought if we didn’t die from an airstrike we would definitely be killed in a car accident. We reached the house of my grandmother, which we thought would be safer, as the call for the prayer for Iftar rang out. We were all shaking involuntarily. I was trying to appear strong as we sat around my grandma’s table with the food she had prepared for her and grandpa that was now to be shared by us all, but my trembling hand holding the spoon exposed my true state. I suddenly remembered the meat pies sitting on our kitchen table, now either under a cloud of white dust and debris or entirely destroyed.
*
The little Eid of last year is still in my memory. I particularly remember when I woke up; I looked around; it was dark, no electricity, just a slight of light coming from the only window in the room. My father, mother and I were sleeping on mattresses. The day before wasn’t as joyful as last day of Ramadan usually is.
We are usually so excited to welcome the Eid. Together, with my mother, sisters, and sisters-in- law, we prepare the Eid cookies with dates. It’s part of our Eid that we serve Arabian coffee and these cookies to the guests. The night before the Eid I sit with my father and mother with loads of chocolate, toys and balloons before us, and prepare them for the children, so each one of them has a small plastic bag full of them.
*
After a week and a half staying with our relatives, I was in desperate need to go back home. I felt that I was being suffocated in this place with three families jammed together in a few rooms, the sound of explosions from afar, and the sad faces of the children. When I knew that I was going back to our home during the truce, which had just been declared, I felt like I was able to breathe again.
The roads were crowded; people were returning to their houses. Everyone was dressed in black or somber colors. I was wearing my black Abaya as well. I don’t usually wear black or an Abaya during Eid, but this time it was not possible to wear anything else; we were grieving for the dead. Without any discussion, we all dressed for mourning, feeling that wearing any other color would be a betrayal of the souls of the martyrs.
The moment I entered the house the telephone rang; I answered and heard the recorded voice of an Israeli soldier saying in broken Arabic, “Cooperate with us, you saw what happened in Shujaya and Khuzaa. Know that there is no safe place in Gaza for any of you.” My heart was beating violently.
I had heard before that people receive these calls. There are two kinds of calls, threatening ones like the one I received, and ones with a direct order to evacuate, which I feared to receive. I was shaking, listening for the word evacuation. I was imagining the situation, in seconds all kinds of scenarios passed through my head. How will we leave? Will we actually leave? Yes I guess. But how difficult it will be, to leave everything behind and go. What if anything happened to any one of my family? Then I recalled the faces of each one of them. I tried not to think of that. Can I take anything? Then I remembered how I barely had time to put on my hejab the time we fled the house because of the missile attack.
The voice stopped talking, and I hadn’t heard the order. I hung up the phone. I didn’t tell anyone about the call; I thought they would worry more, and I didn’t want to leave the house where we had all gathered during the truce for a family meal.
We were happy to see each other after a week-and-a-half separation, but we were afraid, too, that anything might happen or that the truce would be broken.
My nephew came and sat next to me, and then he asked me, “Auntie, what is the name of this Eid?”
“It’s the Little Eid,” I said.
He seemed suspicious.
Despite the horror we felt at the death and destruction all around us, I still remember the light in my heart at seeing them and sitting with them around the table for lunch, as though it were a normal Eid. In spite of little food, and the smell of the fear that controlled us while the drones buzzed over our heads, we were laughing from the heart. It had been many days since we had gathered at a table as a family.
Suddenly we heard explosions. On the radio we heard that children had been shelled when they were playing on a swing set in the beach refugee camp. Israel had broken the truce. There were bombs everywhere. We were afraid our home might be shelled again at any minute, so we hastily prepared to leave in our separate directions once more.
I was hugging everyone goodbye, and when I leaned down to embrace my nephew, he whispered in my ear, “You must be wrong. This is the big Eid; many people are being sacrificed.”
Vartavar (or Vardavar in its Eastern Armenian pronunciation) is a water festival that has been observed since pagan times and was adopted and adapted by Christianity. The day was originally dedicated to the pagan goddess Astghik, the goddess of water, love, and fertility. Its name comes from the roses (vart means rose in Armenian; var means go up or rise) that were offered to her during the celebration.
Vartavar is observed 98 days—or on the 14th Sunday—after Easter, and this year it falls on 13 July. The festival is celebrated on the streets of Yerevan where people use buckets, cups and even hoses to douse friends, family and complete strangers with water. It’s an opportunity for children to play pranks on grownups, and for everyone to cool down from the sweltering summer heat.
