post archive

Birds


Empty Nests

 

 

I’ve been meaning to send write a new blog post for weeks. On my daily to-do list for the past tens days, I have dutifully printed, “write blog,” and then ended up copying it onto the next day’s list. So here it is the end of summer—Labor Day is upon us—and I’m finally sitting down to do it.

 

On the personal front, the summer has been a restorative one. We spent long weekends in the country where I worked in the garden and devoted at least an hour a day to watching the birds. On our front porch alone there were three active nests—a family each of robins, house wrens, and house finches with much flying to and fro by the parents and much cheeping by the nestlings. James and I also went to Chicago in July for the Socialism 2017 Conference where we heard some inspiring talks, enjoyed meals with like-minded friends, and felt comfort in assuming that we were the most conservative people in any room. We also took a family holiday to Provincetown in mid-August. I went on an Audubon-led shorebird walk, we spent afternoons on the beach, and we took in two drag shows featuring the supremely talented Jinkx Monsoon.

 

The work on my novel has been slow, but steady, as I continue writing while interviewing Armenians who lived the war years in Beirut in person and via Skype. The stories have been fascinating, and each anecdote feels like a piece in an enormous jigsaw puzzle I’m assembling. I’m planning another trip to Beirut for late October—will be on the ground for two weeks, staying within walking distance of the neighborhoods I’m writing about.

 

On the public front, each day has brought a new outrage or a new disaster, both in this country and abroad. I won’t catalogue all the misery that I’m sure you have been following as well, but I will say that I’ve been trying to find a way to process the unfathomable—both difficult to understand and seemingly bottomless—cruelty of the people currently running our national government.

 

While not a mental health professional, after much observation of Donald Trump’s Tweets, his public appearances, and most recently after reading the full transcript of his speech in Phoenix, I have come to the conclusion that Trump is suffering from cognitive impairment complicated by his long-term narcissistic personality disorder. (James suggested the he might also be a sociopath.) A friend shared an interview from October 2016 with singer Aimee Mann in which she talks about the song she wrote about Trump entitled, “Can’t You Tell?” (The refrain to the song is, “I don’t want this job. I can’t do this job. My God, can’t you tell, I’m unwell, I’m unwell.”) Mann said, “At this point, it’s like being angry at a rabid dog. You just have to solve the problem and get the dog in a cage.” Arguably, easier said than done. The anger is better directed at the enablers in the Republican Party who complain about Trump’s behavior and yet take no meaningful action against him because they’re still hoping to use him as a blunt instrument to push through their cruel and hateful agenda. I have some ire reserved for the Democrats who seem to have learned nothing from their defeat in November (check out this piece for a sizzling takedown of American liberals).

 

For things Armenian: French-Armenian entertainer Charles Aznavour received a star on Hollywood’s Walk of Fame at the age of ninety-three; the New Yorker published a profile of Chess Master Levon Aronian; The Telegraph (UK) ran a piece about Manchester United soccer star Henrikh Mkhitaryan; Smithsonian published an article about the “Nest Neighbors” program in Armenia to monitor white storks; Houshamadyan posted a brilliant demographic study of an Ottoman-Armenian village; Al Jazeera ran an article about war photography featuring Lebanese-Armenian photojournalist Aline Manoukian; and Print Magazine had a delightful post about Armenian typography.

 

On the literary beat, I enjoyed this profile of novelist Claire Messud, My favorite part was this paragraph:

 

Messud frowned when asked if she ever tried to make her work more commercial. ‘‘I reckon you don’t write to please other people,’’ she said, slowly and deliberately. ‘‘That’s what your integrity is.’’ Her voice was husky; we had been talking all morning, as the dogs pattered in and out. ‘‘There are bell bottoms and miniskirts, and there are pencil skirts and stiletto heels,’’ she said. Fashions come and go in literature, too. ‘‘You can write something that’s a perfect work of art, but if it’s a pencil skirt that falls in a miniskirt moment, God help you. You just have to make your pencil skirt and be you.’’

 

Jeff Sparrow wrote a smart and nuanced review of The Kingdom of Olives and Ash: Writers Confront the Occupation, an anthology edited by Ayelet Waldman and Michael Chabon. Adam Schatz did a brilliant podcast interview with Wally Shawn for the London Review of Books. I was thrilled to happen across this thorough and appreciative reader review of my third novel on Goodreads.

 

There are so many other interesting articles I could share, but who has time to read them all? I will offer you this last engaging piece from Waging Non-Violence about clowning as a tactic of creative resistance.

 

The bird nests by the pond and on our porch are mostly empty now, our older daughter has moved to Bushwick (in Brooklyn), and our younger daughter has headed off for her senior year in college. The flap and noise of summer will now give way to the quieter but equally colorful days of autumn. I’m hoping to get a lot of writing done!

 


Wrens and Finches

Hudson River Valley Sky

 

 

When we were in the country over the weekend, I witnessed a house wren’s taking over the house finches’ nest on our front porch. The much smaller wren tossed the finches’ eggs out of the nest—two small blue eggs lay smashed on the porch floor. Then the wren flew up and down with twigs, using them to effectively barricade the nest so the finches couldn’t get back in. The wren is a noisy, bossy, pushy little bird, and initially I was referring to it as “the jerk.” I soon realized that the finches had found another spot to build a new nest and would lay more eggs, so I grudgingly began to admire the wren’s bubbly song, and energetic foraging.

 

Deer and rabbits (maybe also chipmunks and woodchucks?) ravaged the zinnias and nasturtiums in our garden, leaving untouched the salvia and marigolds. They also chewed to the root the parsley, but ignored the more odiferous herbs such as sage, rosemary, thyme, and tarragon. Someone uprooted one of the tomato plants, and nibbled some leaves off another. I went to the nursery and bought two more varieties of salvia, as well as flowering golden mint, and flowering basil—pretty but NOT tasty to deer and rabbits. The tall blue salvia almost immediately attracted the whirring wings of ruby-throated hummingbirds. At the nursery I also found a product called Liquid Fence, which is a smelly concoction of egg white, garlic, and thyme. When you spray it around the garden beds, it’s supposed to ward off the deer and rabbits, which apparently don’t like the smell. Wish us luck!

 

I’ve been working slowly but steadily on my novel about Armenians in Beirut during the Lebanese Civil War—in the past few weeks I’ve been taking a break from writing, and have been doing immersive research. Ara Madzounian’s beautiful photos of Bourj Hammoud, one of the neighborhoods featured in my novel, give you a sense of the place as it is now. (Ara solicited writing from me for his 2015 book, BIRD’S NEST, and “Homage to Bourj Hammoud” was published as part of the PEN World Voices Anthology.) I’m completely engrossed by the research, and I’m starting to mull a return trip to Lebanon, likely in October, so I can fill in more pieces of the enormous jigsaw puzzle of Beirut during the Civil War that I’m building in my head.

 

As we mark the fiftieth year of Israel’s occupation of the West Bank, Gaza, and East Jerusalem, there have been dozens of articles examining this sad milestone from various perspectives. One of my favorites is Yousef Munayyer’s “Reframing the 1967 War” in THE NEW YORKER. Yousef concludes, “Marking fifty years means that it is time to admit that the intention of occupation policies is not a temporary condition but a permanent one. It means recognizing that the Israeli state denies self-determination to millions of Palestinians who live there.”

 

My contribution to the Palestine Festival of Literature Anthology THIS IS NOT A BORDER, a piece entitled “Stories from the Armenian Quarter,” was published in The Armenian Weekly. Marcia Lynx Qualey, who writes the Arab Lit blog, wrote an interesting review comparing THIS IS NOT A BORDER to a similarly themed anthology entitled KINGDOMS OF OLIVES AND ASHES, which was edited by Michael Chabon and Ayelet Waldman. Ahdaf Soueif, novelist and founder of PalFest, wrote movingly for The Guardian about the festival’s ten years, and Chabon and Waldman were interviewed about their anthology on LitHub.

 

And for your additional reading (and viewing and listening) pleasure:

 

Almost a month after the incident, U.S. officials have announced that members of Turkish President Erdogan’s security detail who assaulted peaceful protesters outside the Turkish Ambassador’s residence in D.C. on May 16 will be charged for their actions.

 

A sizzling piece by Nathan Robinson in Current Affairs about Hillary and Bill Clinton’s use of slaves in the Arkansas Governor’s Mansion.

From Atlas Obscura a great piece about the use of knitting to relay secret messages during wartime.

 

Funny or Die’s parody video about the President’s Personal Spray Tanner, played by Armenian actor Ken Davitian.

 

Pink Martini sings the Armenian pop song Ov Siroun Siroun.

 

Merriam Webster explains the difference between herbs and spices.

 

And finally, here is a beautiful piece by Siddhartha Mukherjee from The New Yorker entitled Love in The Time of Numbness; or Doctor Chekhov, Writer.

 

 

 

Nancy Kricorian

New York City 2017

 

 


Good News

American Bittern and Avid Birders in Central Park

 

Busby the Havanese dog underwent surgery on Monday, and came home that night with a bandage and a tragic face. But yesterday we received the good news—his tumor was a benign lipoma. He is on the mend—snoring louder than usual, being subjected to the “cone of shame” so he won’t scratch his stitches out when we leave him at home without supervision, but overall getting back to his impish self.

My bird walks with NYC Audubon in Central Park this week were amazing. Flowers are bursting out all over, and the warblers are passing through in great numbers, including my favorite Black and White warbler. It is my favorite because it is unmistakable and its name accurately reflects its coloring (the American Redstart, for example, is actually black and orange). I also had the opportunity to see a relatively rare (for Central Park) American Bittern perched high in a tree at Tupelo Meadows. I had only my iPhone, but a scrum of birders with scopes and other fancy cameras documented the bittern’s visit.

Film critic Jonathan Rosenbaum has written an astute and beautiful appreciation of INDIGNATON for the Library of America’s The Moviegoer. Rolling Stone ran a great review of Kitty Green’s CASTING JONBENET, which is now streaming on Netflix.

Grace Paley (1922-2007), whose work as a writer and as an activist I admired for many years, was profiled in The New Yorker. The New Yorker also ran an excellent piece about poet, writer, Civil Rights activist, legal theorist, labor organizer, and Episcopal priest Pauli Murray (1910-1985).

When I was growing up, my grandmother would hand me an Almond Joy candy bar, saying, “You know Peter Paul? They are Armenians. They made this candy.” My friend Liana Aghajanian wrote a piece about Peter and Paul, and how two Armenian immigrants built an American candy empire. When legendary Armenian-American jazz musician and cigar manufacturer Avo Uvezian died in March, I dug up this article from 2015 that tells the story of how Avo actually wrote the music for Frank Sinatra’s “Strangers in the Night.”

On the book front, check out People Knitting: 100 Years of Photographs. You can pre-order these pre-approved titles (I read and loved advanced readers copies of both): Wallace Shawn’s NIGHT THOUGHTS from Haymarket Books, and Arundhati Roy’s long-awaited second novel, THE MINISTRY OF UTMOST HAPPINESS. If you’re in NYC, you can also purchase tickets to hear Arundhati at BAM on June 19. On the music front, check out the debut album from OVERCOATS, the dynamic duo of JJ Mitchell and Hana Elion. (We’ve known JJ since she was in our daughter Nona’s fourth grade class!) And if you’re in NYC, you can buy tickets to see the July 18 concert of the delightful Lebanese band Mashrou’ Leila.

Please also support Swing Left. They launched a campaign yesterday to donate to the opponents of swing district Republicans who voted for Trumpcare. And check out the Socialism 2017 Conference scheduled for July 6-9 in Chicago. James and I will be there!

 

 

 

Nancy Kricorian


A Change of the Right Sort

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I think now that we should maintain ourselves by a process similar to molting in birds. A change of the right sort helps us to overhaul our ideas, so that our souls may recreate themselves, venture into a higher atmosphere with bolder wings, and arouse and quicken other interests.      ~ Helen Keller 

 

 

This month I am leaving the staff of CODEPINK Women for Peace after thirteen years and the Executive Committee of the Armenia Tree Project after fifteen. I am proud of the work that both groups do, and have found deep satisfaction in these associations. But it’s time to move on, or as Helen Keller suggests, it’s time to lose some feathers and grow new ones. This week I sent the below letter to my friends and CODEPINK coalition partners letting them know about the move.

 

 

Dear Friends,
I wanted to let you all know that I will be leaving the staff of CODEPINK at the end of this month. It’s been a good long run–thirteen years–and it’s time for me to move on. CODEPINK’s Palestine work will be continued by Ariel Gold, with whom I’ve been working on our boycott campaigns for over a year. I will be transferring the codepinknyc email address to a new staff person who will be doing local organizing (please let me know if you want that contact when the details are hammered out). I will continue to run the Stolen Beauty Twitter feed and to do coalition work around the Ahava boycott campaign.

I am grateful to the CODEPINK team–its staff (present and past), and the many passionate volunteers–as well as to all the partners I have worked with over the years. I am proud of what we have accomplished together, and I look forward to future collaborations as we prepare to take on the Horsemen of the Apocalypse, who are gathering on the near horizon. I plan to spend more time writing my fourth novel, to do some traveling with the peripatetic spouse, and likely to seek out new vehicles for local organizing.

With fond regards,

 

Nancy K

 

 

Nancy Kricorian


The Birds of Beirut

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Mar Mikhael steps, Beirut

I arrived in Beirut on Friday night, and on Saturday my hosts drove me to the Armenian village of Anjar in the Bekaa Valley, close to the Syrian border. The women of the ABC Book Club had set up a large television set and thirty chairs on a spacious home patio. Members of the book club made short speeches about the history of their group, an introduction to my work, and a brief reading from my second novel, DREAMS OF BREAD AND FIRE, which they had read and discussed. Then I presented my “Armenian Diaspora Quartet” slideshow, weaving in two poems, “The Angel” and “Homage to Bourj Hammoud.” After the presentation, we ate homemade Armenian and Lebanese desserts in the garden. My favorite was a fruitcake called kumba, a specialty of Anjar (made from a recipe the Armenians of Musa Ler had brought with them in the late 30’s). My hosts insisted that I take home the entire platter of kumba. When I asked, “What will I do with all this?” I was told, “It has no eggs or butter; it keeps forever. Eat what you like, and at the end of the week you can put it in your suitcase.” (Believe me, I did it.)

The next evening was April 24th, and I went with friends to the Armenian Genocide vigil in Martyrs’ Square in downtown Beirut. After listening to the speeches for a while, we walked around the soulless ghost town that is the Solidere reconstruction of the old Souk area. The following day when I ventured out on my own—trying to get to the Sursock Museum to see the Assadour show—I got horribly lost. When I had showed the receptionist at the hotel a map, and asked for directions from the hotel to the museum, she looked at the map as though she had little idea of what it was, let alone how to read it. People in Beirut don’t use maps, and the available ones are pretty terrible, so for a person such as myself with absolutely no sense of direction, navigating the city was a challenge. A soldier at an intersection noticed my confusion, asked me where I was going, told me that I was very far from my destination (I had walked for fifteen minutes in the opposite direction), and explained that the only way for me to get there was by taxi.

The rest of the week, volunteer guides—old friends, new friends, and an aspiring fiction writer who is a student at Haigazian University—accompanied me. They were all locals who negotiated the maze of streets without maps. After the first afternoon of walking around in Bourj Hammoud, I despaired of ever being able to properly situate my characters in the space. But by the final day of my trip, I had determined the street where the Serinossians resided, the church they attended, the school where the children were enrolled, the father’s occupation, and his place of work. For later reference, I took photos of old wooden houses, mid-century apartment buildings with balconies and awnings, Armenian schools, Armenian churches, streets signs, and old doors. I also identified a few common birds: laughing dove, house sparrow, rock dove, and white wagtail. In Bourj Hammoud and Nor Hadjin I saw canaries in wire cages and zebra finches in wooden ones.

Equally importantly, I heard stories of the war years—the kinds of anecdotes that provide me with the small details I need to create the narrative world of the novel. Here is one line I heard that opened up a universe of feeling: “Sundays were sad days—because the ships took them to Cyprus, and from there they flew away.”

 

Nancy Kricorian

New York City


Our neighbors, the red-tailed hawks

Juvenile Red-Tailed Hawk

Juvenile Red-Tailed Hawk

 

Today on our early dog walk on Morningside Drive, I heard the cries of juvenile red-tailed hawks, then spotted two of them in a young tree in the Cathedral Close. They kept up their racket until mama hawk swooped down from the Cathedral tower with breakfast.