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Armenian


Find the Helpers

Last week 28-year-old Alexandria Ocasio-Cortez defeated ten-term incumbent Joe Crowley in the Democratic primary for New York’s 14th Congressional District in what TIME Magazine called the biggest political upset of 2018. Ocasio-Cortez had the support of the Democratic Socialists of America, the Justice Democrats, Brand New Congress, and The Intercept (cited by a CNN commentator as a decisive factor!). In an otherwise DISMAL political scene this is a HUGE victory. She ran on a platform calling for Medicare for All, the abolition of ICE, and she denounced the killings of protesters in Gaza as a massacre. I’m awestruck. I also loved reading about the revolutionary posters designed for her campaign.

 

If you’re looking for a natural pick-me-up, watch Ocasio-Cortez’s campaign video, or watch CNN’s clip from election night when she realizes that she has won! “We met the [Queens Democratic] machine with a MOVEMENT!” she said. (Note the dude right behind her wearing a Democratic Socialists of America T-shirt.) Or watch her answer Stephen Colbert’s question, “What is Democratic Socialism?” I think I’ve watched that last video six times—whenever I’m in despair about the state of the world, I just watch it again.

 

In response to Ocasio-Cortez’s victory and those of other young progressives, Michelle Goldberg, in a piece entitled The Millennial Socialists Are Coming, opined, “These young socialists see themselves as building the world they want to live in decades in the future rather than just scrambling to avert catastrophe in the present.”

 

And while the political situation in this country is growing grimmer by the minute, I’m not going to remind you of the details right now as I’m making a concerted effort to do what Mr. Rogers’s mother told him, “Look for the helpers.” (As an aside here, I haven’t yet seen the Mr. Rogers documentary, Won’t You Be My Neighbor, but it’s on the top of my movie going list.)

 

While I’ve read at least forty articles about the traumatic, criminal, and unconscionable (there are no adjectives dire enough for what they’re doing!) consequences of our government’s “zero-tolerance policy” at the border, resulting in the abduction of thousands of migrant children, the article I will highlight is about a courageous Honduran woman who is organizing mothers inside an ICE detention center in El Paso, Texas. While the U.S. has a long history of child snatching, I was inspired by this story about librarians and academics who used their library science skills to map the locations of the facilities where separated migrant kids are possibly being held as a way to help parents find their children. I also aspire to have the courage this woman did when Border Patrol Agents boarded the Greyhound Bus she was on. She realized that because they were not within 100 miles of the U.S. border, the agents did not have the right to question everyone on the bus about their immigration status. She stood up and started shouting, “You don’t have to show them sh*t!” She then used Google translate to find out how to say it in Spanish.

 

People are standing up to the Trump Administration’s cruelties. Members of The United Methodist Church have charged Methodist Jeff Sessions with child abuse over the family separation policy. Members of the Democratic Socialists of America DC Metro Chapter protested the Secretary of Homeland Security while she was dining in a Mexican restaurant. “If kids don’t eat in peace, you don’t eat in peace,” the protesters shouted. Nearly 600 women were arrested in D.C. last week during protests against Trump’s immigration policies. The protesters chanted “Abolish ICE” and their hashtag was #WomenDisobey.

 

This is a time to be disobedient, fierce, loud, and as creative as these young Palestinian dancers in Gaza. We’re heading to the Socialism 2018 Conference in Chicago this coming weekend to meet up with several thousand people who feel the same way. I’ll let you know how it goes.

 

P.S. This year’s Smithsonian Folklife Festival in D.C. turns a spotlight on Armenia. Check out the Feasting schedule, as well as my friend Liana Aghajanian’s piece about Armenian food.

 

 

Nancy Kricorian

New York City 2018


Choose Your Lane


 

If you turn your head in any direction, you will see direct evidence of the cruelty, venality, and greed of the current administration. Everything and everyone appear to be under assault: public education, the environment, undocumented immigrantstransgender studentswomen’s health care, the expression of dissent,  and the list goes on and on and on. It’s hard to know what to do in response, but last week organizer Mariam Kaba posted a Tweet that gave me some comfort.

She said, “There’s so much happening across the world. Just a reminder for all of us that we cannot be engaged in every single thing. Even if we care about everything. You’re just one person. Pick your lane(s). Do your best. Fight.”

Since 2009, one of my “lanes,” so to speak, has been Palestine. After doing some months of self-education, I visited Palestine twice, have worked on four different targeted boycott campaigns, and will continue my organizing, advocacy, and activism for Palestinian rights. I watched in horror a few weeks ago when Israeli snipers killed over 60 unarmed Palestinians, including children, medics, and journalists, in Gaza in one day, and resolved to redouble my efforts.

In the past few months, after identifying undocumented immigrants as among the most vulnerable and targeted groups in the United States, I’ve chosen a new lane: support for immigrants’ rights. The first step was doing a little research on which organizations in New York City were working on immigration issues, and then deciding to join the New Sanctuary Coalition. I did their Accompaniment training, and started to accompany “friends,” as we call them, who were going to 26 Federal Plaza for ICE check-ins and immigration hearings. Recently I did the Asylum Clinic training, and this week I volunteered at the clinic for the first time.

In the meantime, horrific reports emerged of the Trump Administration’s new policy of separating parents and children at the border, something that had been happening for six months but has now made an explicit policy directive. The truth is that the Obama Administration deported more undocumented immigrants than any other administration in history, and immigrants’ rights groups referred to Obama as “The Deporter in Chief”.

But the Trump Administration is pushing the system to new depths of cruelty. When asked about the effects of separating children as young as eighteen months old from their parents, White House Chief of Staff John Kelley said, “the children will be taken care of, put in foster care or whatever.” Our White Supremacist Attorney General Jeff Sessions said, “If you don’t want your child separated, then don’t bring them over the border illegally.” Someone needs to explain to Sessions that in order to apply for political asylum you must be in the United States, which often entails crossing the border without authorization.

If you’re interested in working on immigrants’ rights in your area, you can check out the list of local organizations on the Informed Immigrant web site. Whatever lane you’re in, the main thing is to keep moving. As Gracy Paley put it (and this is, as you probably know, my motto), “The only recognizable feature of hope is action.”

P.S. As not to end on a total DOWNER, here’s a piece about the Velvet Revolution in Armenia, and how crucial women were to its success.

 

Nancy Kricorian

 


The Sun Will Rise

 

It’s finally spring here in New York City. The appearance of the early spring flowers—crocuses, Lenten roses, daffodils, and hyacinths—makes me feel that there is hope. Hope for what? On the absolutely mundane level, it is a belief that the tulips will open very soon, and that after them the lilacs will appear. It reminds me of the Armenian proverb, “The sun will rise whether the rooster crows or not.”

 

When I walk the dogs early in the morning now, the trees are alive with birdsong. I recognize the songs of the cardinals, the robins, and the blue jays. I hear other songs that my sadly unmusical hear has not yet learned to identify, but I’ll be starting up again with my NYC Audubon classes next week and will expand my repertoire.

 

When I write to or talk with friends now, asking them how they are doing, I say, “Aside from the devastating political dumpster fire in which we are living, I hope you and yours are okay.” How do we do this? How do we wake up each morning to ever more cruelty, venality, and greed—each time I think we’ve hit rock bottom, I’m stunned to learn that it’s possible to go lower still—and still manage to go on with our daily routines? I have to count myself among the lucky ones who can carry on with my work and my relationships in relative peace while the unlucky ones, to paraphrase Wally Shawn, who are undocumented, or poor, or live in a country devastated by our wars and occupations, are struggling mightily. I hope for us all that we can organize to vote a bunch of these jerks out of office in the fall before they do even more damage.

 

These are sources of solace: flowers, birds, knitting, baking, walking, reading, talking with friends, and doing one act of resistance each day—phone call, letter, political organizing meeting, sanctuary accompaniment, street demonstration, donation, or a spontaneous gesture of kindness. May we all find moments of happiness and satisfaction that will give us energy for the work ahead.

 

 

 

Nancy Kricorian

New York City 2018


Radical Kindness and Adamant Resistance

 

Happy International Women’s Day! Earlier this week I received an invitation from an editor at Aras, my publisher in Istanbul.

For International Women’s Day, we’re asking our women writers for a message directed to women, but of course particularly to the women of Turkey. We will share them on March 8 via social media posts. And since it’s social media, it should not be something longer than three or four sentences.

I thought about it overnight, and then sent her back the following:

In these cruel times, may we be known for our radical kindness, and also for our resistance to those who attack our most vulnerable neighbors. As American feminist writer Grace Paley put it, ‘The only recognizable feature of hope is action.’

When I turn the pages of the newspaper each morning, I feel as though I’m being hammered by the stories of unremitting brutality: the physical violence of war around the globe; the systemic economic assault on the poor and working people of this country and our public institutions; and the heartless rounding up and deportation of undocumented immigrants, which are separating families, tearing apart communities, and sowing terror.

I think the story that hit me the hardest last week was the one about the mother from the Congo who applied for asylum upon arriving in Los Angeles. She was put into a detention facility in San Diego and her seven-year-old daughter was sent to a detention facility for unaccompanied minors in Chicago. The only way we heard this story was that the ACLU filed suit against the U.S. Government for this act of blatant cruelty, which seems to be part of a new unstated policy designed to discourage parents from seeking asylum because of fear of such forcible and wrenching separations. How many more such children are there?

But in the face of all this, I take heart when I see the humanity and the militancy that are rising up in response. The striking teachers of West Virginia prepared breakfasts and lunches for their students who receive meals at school and would otherwise have gone hungry. And, with broad support from people around the country, they WON their wildcat strike! Some student organizers from Parkland High School in Florida, where a horrific massacre occurred last month, went to meet black youth in Chicago to talk about how they could work together on gun control and address racism. Christian Clergy in Jerusalem were able to halt Israeli legislation that would have allowed for state seizure of church property by closing the Church of the Holy Sepulchre for three days. And Mayor Libby Schaaf of Oakland, California, a sanctuary city, gave the public a fair warning about imminent ICE raids in the Bay Area.

And somehow in the midst of all of this, I’ve been managing to write! Gamatz gamatz*, as my grandmother would have said, I’m getting this novel written.

*slowly, slowly

 

Here are some readings for your pleasure and edification:

A fascinating piece about shared Armenian and Turkish idioms.

A rare yellow cardinal was spotted in Alabama.

How Neoliberalism makes anxiety and depression worse, and what you can do about it.

A beautiful essay by Viet Thanh Nguyen on refugees.

 

 

 

Nancy Kricorian

 

 

 

 

 


We Have Work To Do

Joseph Cornell’s “Homage to Juan Gris,” 1953–54

 

 

Yesterday I went with my friend Dahlia to the Met Museum to see the David Hockney retrospective, which I admired, and the Joseph Cornell show, entitled “Birds of a Feather,” which I adored. I’ve been reading about Cornell lately because the main character of the novel I’m writing is a collage and shadow box artist whose primary inspirations are the works of Cornell and Hannah Hoch.

 

While we were wandering around the museum after viewing the aforementioned shows, Dahlia and I talked about our Armenian language studies. We are both working with the same tutor—a teacher who relocated from Aleppo to Yerevan who gives lessons over Skype—and we love her and we love the language, to which each of us has a different and complicated relationship grounded in family history. As we moved into the room with Thomas Hart Benton’s mural “America Today,” we talked about the endless and unfathomable cruelty of the people who are running our country.

 

How is it possible to keep one’s equilibrium in the face of these daily and unremitting attacks on our institutions, the most vulnerable groups and individuals among us, and our very values? We can’t let them deaden our responses—we have to remain vigilant and dynamic, finding hope in community and action. I recently went to an accompaniment training with the New Sanctuary Coalition and was impressed by their leadership’s strategic thinking and vibrancy, even as their executive director was fighting imprisonment and deportation. At an Adalah NY meeting this week, I was inspired by the other members in the group, many of whom are involved not only in Palestine solidarity work, but are also engaged with a variety of groups organizing around prison abolition, anti-militarism, anti-colonialism, and other struggles.

 

When Dahlia and I left the museum, there was a small group of women standing on the sidewalk outside handing out fliers about the paucity of women artists in the Met. How had I not noticed until that moment that among all the solo shows currently on view—Hockney, Cornell, Eggleston, Wegman, Golub, Kiefer—there is not one woman artist? (Not only are they all men, but also they are all white men.) On all fronts, we have work to do.

 

Maxine Kumin’s poem “Our Ground Time Here Will Be Brief”—the title as much as the poem itself—keeps echoing in my mind lately. I find solace in poetry—and in Armenian lessons, yoga classes, bird walks, my family and my friends. May we all find energy for resistance and comfort for our souls.

 

 

Nancy Kricorian

New York City

February 2018


Building the Nest

Mural in Nor Hadjin

 

When I arrived in Beirut on the evening of October 27, I took a taxi to Baffa House, a guesthouse in Mar Mikhael where I would be staying for two weeks. The goal of my trip was to become familiar enough with the nearby Armenian neighborhoods of Bourj Hammoud and Nor Hadjin where the characters in the novel I’m currently writing reside so that I could thoroughly inhabit those streets, buildings, schools, and churches in my imagination. I had started writing the novel, but then got stuck. I wrote a scene in which Vera Serinossian, the narrator and protagonist, was walking from her school in the Armenian “suburb” of Bourj Hammoud, a 1.5 square kilometer municipality just outside Beirut city limits, to her home in Nor Hadjin, a small Armenian neighborhood of about four square blocks on the other side of the river within Beirut’s boundaries. As she was crossing the bridge, Vera sees an elderly Arab man lying dead on the pavement. He has a sniper’s bullet hole in his forehead.

 

After I wrote this scene, during an interview that I conducted at the end of this past summer with someone who had lived the war years within these precincts, I had been told that this bridge between Bourj Hammoud and Nor Hadjin was called “The Death Bridge” because of the snipers that targeted people who crossed it. The Phalangist militia was on the hill of Ashrafiyeh within shooting range, and to the north the Leftists and later Syrian troops posed a similar danger. It occurred to me that my idea of having my family cross that bridge from home to school and back on a daily basis during the war years might make no sense. I needed to go to Beirut to find out.

 

The guesthouse in Mar Mikhael was a five-minute walk from Nor Hadjin and Khalil Badawi, another Armenian neighborhood adjacent to Hadjin. It was another ten minutes on foot to Bourj Hammoud. So each day of my stay I walked those neighborhoods. Through my network of Armenian friends in Beirut and in America, I had the good fortune to meet and to interview a host of people who had lived through the war years and had stories they were willing to share. I met the editor of the Ararat Daily Newspaper who told me about the night the Phalangists had set off a bomb in the newspaper’s offices in 1978. I visited Dr. Garo, the sole physician in Nor Hadjin, who had treated everyone from survivors of the Karantina Massacre to wounded Palestinian fighters in Naba’a to local Armenians who had been injured during various rounds of shelling. I interviewed the principals of two Armenian Evangelical schools—the Gertmenian School in Nor Hadjin and the Central High School in Ashrafiyeh. I attended Sunday services at Sourp Kevork Church in Nor Hadjin.

 

My friend Antranig, who grew up in Nor Hadjin, gave me a tour of the neighborhood, pointing out the ironwork on the facades of some of the houses, knocking on doors so he could show me the beautiful original tile work in some of the apartments, and explaining how Nor Hadjin had been a completely self-contained Armenian village within Beirut. “We had everything we needed. There were three schools, a church, a dispensary, grocery stores, a compatriotic union, and all kinds of artisans and craftsmen. The only thing missing in the early days was a confectioner, so the leaders of Hadjin convinced one to move from Ashrafiyeh to open a sweet shop.”

 

He also told me a story about the Death Bridge. During a ceasefire, Antranig and his friend took bikes and crossed the bridge to Bourj Hammoud. The two teenagers had just made it to Bourj Hammoud when shooting broke out between the Syrians and the Khataeb (Phalangists). The boys ditched their bikes and jumped into a building where they waited out the shooting, which went on for over five hours.

 

Antranig’s father, who could make out the bridge from his balcony in Nor Hadjin, called a friend in Bourj Hammoud to find out what had happened. There were dead bodies on the bridge, he was told. So he went down to the bridge to check the bodies to make sure his son was not among them.

 

By the end of my two weeks in Beirut, I had accomplished what I had set out to do. The Serinossians would not be crossing the Death Bridge on a daily basis. I had decided to situate my family in the small, self-contained neighborhood of Nor Hadjin, with extended family living across the river in Bourj Hammoud. I had determined which school the children attended, the church in which the family worshipped, and even the house in which they lived. In addition, like a bird assembling twigs, twine, and grasses for a nest, I had collected dozens of anecdotes, stories, and historical details that would help me in pushing forward with the novel.

 

Nancy Kricorian

 


Poem for My Father’s Voice

 

Visiting my parents in Watertown this week, after my father’s return from a recent hospitalization, reminded of me of this poem I wrote many years ago. Thought it was a good moment to pull it from the archive. 

 

Poem for My Father’s Voice

“Show me,” I’d say, “show me
exactly where in the Bible
it says that dancing is a sin.”
He wouldn’t argue, and even if
I made it to school dances,
my body was lead; I couldn’t move
hearing his long silence.
I never gave up, though; I’d worry
him like a dog worries a squirrel
up a tree, going crazy for wanting
a fight. When I was in college,
I’d take Vermont Transit home
and cross Harvard Yard to meet him
at the store; he peeled off the red
apron and white coat, ran upstairs
to punch out on the clock, and
on the ride home, we’d talk.
His favorite topic was the weather,
until it became a joke between us,
like the popsicle-stick cathedrals
he wanted to build when he retired
until I embarrassed him out of it.
I imagined him gluing and placing sticks
for hours at the table, looking
like an overgrown camper.

Years away from home sanded the edges
off anger; on our rides to and from
the airport or the train, he talked,
and now I didn’t know what to say.
He told me his whole life had been
a waste, except for my mother.
Another time he said, “When I get
to heaven, God will make me perfect,
and I won’t be stupid any more.”
His father had called him
“mentally bankrupt” when he was
a kid working at the family market,
driving deliveries at ten, the cops
kept off with bribes of meat and
butter. “It was during the war,”
he told me, “meat was scarce.”

The last time I came to town, he
explained the doctor wanted to take
a vein from his leg. When he stands
at the block, my father works the knife
in his right hand, leans into
the left leg, and now blood
seeps through the vein making
brown patches under the skin
near the ankle. He pulled up
his pant-leg and rolled down the sock.
He said, “It makes me think of my father.
They took his foot, his calf, then
the leg, and I know it’s not the same,
but I can’t help thinking of it.”

I imagine the dreams at night,
his father’s lost leg hovering
near the ceiling, and his mother’s
heart, so small and tight, moved
into his body. Her pills are now his,
nitro-glycerin under the pillow
of the tongue. I remember times
when I yelled at him, “I hate you,
you’re so stupid.” I liked the sound
of my voice tearing into him, and
wanted to bury him with words. He’d say,
“Shut up. Do you hear me? Shut up.”

 

 

 

Originally published in RIVER STYX Literary Magazine, Number 32, Fall 1990

 

Nancy Kricorian


Empty Nests

 

 

I’ve been meaning to send write a new blog post for weeks. On my daily to-do list for the past tens days, I have dutifully printed, “write blog,” and then ended up copying it onto the next day’s list. So here it is the end of summer—Labor Day is upon us—and I’m finally sitting down to do it.

 

On the personal front, the summer has been a restorative one. We spent long weekends in the country where I worked in the garden and devoted at least an hour a day to watching the birds. On our front porch alone there were three active nests—a family each of robins, house wrens, and house finches with much flying to and fro by the parents and much cheeping by the nestlings. James and I also went to Chicago in July for the Socialism 2017 Conference where we heard some inspiring talks, enjoyed meals with like-minded friends, and felt comfort in assuming that we were the most conservative people in any room. We also took a family holiday to Provincetown in mid-August. I went on an Audubon-led shorebird walk, we spent afternoons on the beach, and we took in two drag shows featuring the supremely talented Jinkx Monsoon.

 

The work on my novel has been slow, but steady, as I continue writing while interviewing Armenians who lived the war years in Beirut in person and via Skype. The stories have been fascinating, and each anecdote feels like a piece in an enormous jigsaw puzzle I’m assembling. I’m planning another trip to Beirut for late October—will be on the ground for two weeks, staying within walking distance of the neighborhoods I’m writing about.

 

On the public front, each day has brought a new outrage or a new disaster, both in this country and abroad. I won’t catalogue all the misery that I’m sure you have been following as well, but I will say that I’ve been trying to find a way to process the unfathomable—both difficult to understand and seemingly bottomless—cruelty of the people currently running our national government.

 

While not a mental health professional, after much observation of Donald Trump’s Tweets, his public appearances, and most recently after reading the full transcript of his speech in Phoenix, I have come to the conclusion that Trump is suffering from cognitive impairment complicated by his long-term narcissistic personality disorder. (James suggested the he might also be a sociopath.) A friend shared an interview from October 2016 with singer Aimee Mann in which she talks about the song she wrote about Trump entitled, “Can’t You Tell?” (The refrain to the song is, “I don’t want this job. I can’t do this job. My God, can’t you tell, I’m unwell, I’m unwell.”) Mann said, “At this point, it’s like being angry at a rabid dog. You just have to solve the problem and get the dog in a cage.” Arguably, easier said than done. The anger is better directed at the enablers in the Republican Party who complain about Trump’s behavior and yet take no meaningful action against him because they’re still hoping to use him as a blunt instrument to push through their cruel and hateful agenda. I have some ire reserved for the Democrats who seem to have learned nothing from their defeat in November (check out this piece for a sizzling takedown of American liberals).

 

For things Armenian: French-Armenian entertainer Charles Aznavour received a star on Hollywood’s Walk of Fame at the age of ninety-three; the New Yorker published a profile of Chess Master Levon Aronian; The Telegraph (UK) ran a piece about Manchester United soccer star Henrikh Mkhitaryan; Smithsonian published an article about the “Nest Neighbors” program in Armenia to monitor white storks; Houshamadyan posted a brilliant demographic study of an Ottoman-Armenian village; Al Jazeera ran an article about war photography featuring Lebanese-Armenian photojournalist Aline Manoukian; and Print Magazine had a delightful post about Armenian typography.

 

On the literary beat, I enjoyed this profile of novelist Claire Messud, My favorite part was this paragraph:

 

Messud frowned when asked if she ever tried to make her work more commercial. ‘‘I reckon you don’t write to please other people,’’ she said, slowly and deliberately. ‘‘That’s what your integrity is.’’ Her voice was husky; we had been talking all morning, as the dogs pattered in and out. ‘‘There are bell bottoms and miniskirts, and there are pencil skirts and stiletto heels,’’ she said. Fashions come and go in literature, too. ‘‘You can write something that’s a perfect work of art, but if it’s a pencil skirt that falls in a miniskirt moment, God help you. You just have to make your pencil skirt and be you.’’

 

Jeff Sparrow wrote a smart and nuanced review of The Kingdom of Olives and Ash: Writers Confront the Occupation, an anthology edited by Ayelet Waldman and Michael Chabon. Adam Schatz did a brilliant podcast interview with Wally Shawn for the London Review of Books. I was thrilled to happen across this thorough and appreciative reader review of my third novel on Goodreads.

 

There are so many other interesting articles I could share, but who has time to read them all? I will offer you this last engaging piece from Waging Non-Violence about clowning as a tactic of creative resistance.

 

The bird nests by the pond and on our porch are mostly empty now, our older daughter has moved to Bushwick (in Brooklyn), and our younger daughter has headed off for her senior year in college. The flap and noise of summer will now give way to the quieter but equally colorful days of autumn. I’m hoping to get a lot of writing done!

 


Wrens and Finches

Hudson River Valley Sky

 

 

When we were in the country over the weekend, I witnessed a house wren’s taking over the house finches’ nest on our front porch. The much smaller wren tossed the finches’ eggs out of the nest—two small blue eggs lay smashed on the porch floor. Then the wren flew up and down with twigs, using them to effectively barricade the nest so the finches couldn’t get back in. The wren is a noisy, bossy, pushy little bird, and initially I was referring to it as “the jerk.” I soon realized that the finches had found another spot to build a new nest and would lay more eggs, so I grudgingly began to admire the wren’s bubbly song, and energetic foraging.

 

Deer and rabbits (maybe also chipmunks and woodchucks?) ravaged the zinnias and nasturtiums in our garden, leaving untouched the salvia and marigolds. They also chewed to the root the parsley, but ignored the more odiferous herbs such as sage, rosemary, thyme, and tarragon. Someone uprooted one of the tomato plants, and nibbled some leaves off another. I went to the nursery and bought two more varieties of salvia, as well as flowering golden mint, and flowering basil—pretty but NOT tasty to deer and rabbits. The tall blue salvia almost immediately attracted the whirring wings of ruby-throated hummingbirds. At the nursery I also found a product called Liquid Fence, which is a smelly concoction of egg white, garlic, and thyme. When you spray it around the garden beds, it’s supposed to ward off the deer and rabbits, which apparently don’t like the smell. Wish us luck!

 

I’ve been working slowly but steadily on my novel about Armenians in Beirut during the Lebanese Civil War—in the past few weeks I’ve been taking a break from writing, and have been doing immersive research. Ara Madzounian’s beautiful photos of Bourj Hammoud, one of the neighborhoods featured in my novel, give you a sense of the place as it is now. (Ara solicited writing from me for his 2015 book, BIRD’S NEST, and “Homage to Bourj Hammoud” was published as part of the PEN World Voices Anthology.) I’m completely engrossed by the research, and I’m starting to mull a return trip to Lebanon, likely in October, so I can fill in more pieces of the enormous jigsaw puzzle of Beirut during the Civil War that I’m building in my head.

 

As we mark the fiftieth year of Israel’s occupation of the West Bank, Gaza, and East Jerusalem, there have been dozens of articles examining this sad milestone from various perspectives. One of my favorites is Yousef Munayyer’s “Reframing the 1967 War” in THE NEW YORKER. Yousef concludes, “Marking fifty years means that it is time to admit that the intention of occupation policies is not a temporary condition but a permanent one. It means recognizing that the Israeli state denies self-determination to millions of Palestinians who live there.”

 

My contribution to the Palestine Festival of Literature Anthology THIS IS NOT A BORDER, a piece entitled “Stories from the Armenian Quarter,” was published in The Armenian Weekly. Marcia Lynx Qualey, who writes the Arab Lit blog, wrote an interesting review comparing THIS IS NOT A BORDER to a similarly themed anthology entitled KINGDOMS OF OLIVES AND ASHES, which was edited by Michael Chabon and Ayelet Waldman. Ahdaf Soueif, novelist and founder of PalFest, wrote movingly for The Guardian about the festival’s ten years, and Chabon and Waldman were interviewed about their anthology on LitHub.

 

And for your additional reading (and viewing and listening) pleasure:

 

Almost a month after the incident, U.S. officials have announced that members of Turkish President Erdogan’s security detail who assaulted peaceful protesters outside the Turkish Ambassador’s residence in D.C. on May 16 will be charged for their actions.

 

A sizzling piece by Nathan Robinson in Current Affairs about Hillary and Bill Clinton’s use of slaves in the Arkansas Governor’s Mansion.

From Atlas Obscura a great piece about the use of knitting to relay secret messages during wartime.

 

Funny or Die’s parody video about the President’s Personal Spray Tanner, played by Armenian actor Ken Davitian.

 

Pink Martini sings the Armenian pop song Ov Siroun Siroun.

 

Merriam Webster explains the difference between herbs and spices.

 

And finally, here is a beautiful piece by Siddhartha Mukherjee from The New Yorker entitled Love in The Time of Numbness; or Doctor Chekhov, Writer.

 

 

 

Nancy Kricorian

New York City 2017

 

 


Land of Armenians

 

Lawn sign in Watertown, Massachusetts, 6/16

Last week I returned to my hometown of Watertown, Massachusetts to visit my parents, to do research for my novel in the archives of the two English-language Armenian newspapers, and to attend a board meeting of the National Association of Armenian Studies and Research (otherwise known as NAASR). While skimming back issues for articles about the Lebanese Civil War, I found a small item in the Armenian-Mirror Spectator about myself: “Nancy Kricorian, a 9th-grade student at the East Junior High School in Watertown, was the winner of the recent Bicentennial Poster Contest and her poster becomes the official Town of Watertown Bicentennial Poster.” At the offices of the Armenian Weekly I fell upon an absolute treasure trove of reports about what was going in the Armenian precincts of Beirut during the Lebanese Civil War.

 

My parents and I had dinner on Friday evening at the Armenian Memorial Church’s annual fair, where I saw some old family friends and classmates. On Saturday when I walked two miles from my parents’ apartment complex to NAASR’s offices in Belmont, I passed a lawn sign that said, “No matter where you are from, we’re glad you’re our neighbor.” The message was printed first in Armenian, second in English, and third in Arabic. (I’m happy to report that because of my regular Armenian lessons I was able to read and understand the Armenian text.) On Saturday afternoon I stopped to pick up some fruit at Armenian-owned Arax Market, where I loved the Armenian conversations going on around me, and then I went to Armenian-owned Fastachi (they do mail order!) to purchase some nuts and chocolates for my family. I really hit peak East Watertown nostalgia on this trip, and felt deeply Armenian.

 

My compatriots are in the news lately. The New York Times ran a profile of Henrikh Mkhitaryan, “our midfield Armenian” who plays for Manchester United. Heno (his Armenian diminutive) is also called “the Armenian magician,” and you can see why if you watch this video of his breathtaking “scorpion kick” goal, which was ranked as the number one goal of the season. Forbes Magazine profiled Carolyn Rafaelian, the billionaire founder of bangle brand Alex and Ani. The Ajam Media Collective ran a piece about singer Seta Hagopian, the “Fairuz of Iraq.” Smithsonian Magazine featured an Armenian cosmetics company that is using ancient botanical recipes in their products. The Armenian Weekly posted a beautiful and moving tribute to Sarkis Balabanian (1882-1963), who risked his life to save hundreds of Armenian children during the Genocide. Michael Winship wrote a piece entitled “The Internet Won’t Let Armenia Go Away” that covers the propaganda war being waged by Turkey against The Promise, an epic Armenian Genocide film funded by the late Kirk Kerkorian.

 

Winship also mentions last week’s firestorm over Turkish President Erdogan’s visit to Washington, D.C. The meeting between Trump and Erdogan did not garner much press attention, but Erdogan’s bodyguards’ assault on peaceful protesters sure did. Around two dozen Kurds, Armenians, and leftist Turks, including young women, older people and children, had gathered to protest outside the Turkish Ambassador’s residence during Erdogan’s visit. Erdogan’s security detail with the aid of some right-wing counter-protesters violently attacked the protesters, leaving eleven people injured, nine of whom were hospitalized. There was some speculation, based on several videos, that Erdogan himself had ordered his bodyguards to attack the protesters. Everyone from the Washington Post editorial page to Senator John McCain weighed in. The Turkish government went on the attack, blaming the D.C. police for their ‘aggressive actions’ and demanding an apology from the U.S. government. It is almost laughable that the Turkish government, which spends millions of dollars in the U.S. each year for lobbying and propaganda, a great deal of it focused on preventing efforts at Armenian Genocide recognition and a good part spent on demonizing Kurds, has generated so much ill will in such a short time.

 

On the literary front, the Palestine Festival of Literature has just finished its latest season, and next month its tenth anniversary anthology entitled THIS IS NOT A BORDER will be published by Bloomsbury. Having participated in PalFest in 2010, I was invited to contribute to the anthology and wrote a short piece called “Stories from the Armenian Quarter.” In advance of the launch of her second novel (twenty years after the publication of her first novel THE GOD OF SMALL THINGS), Arundhati Roy was profiled in VOGUE. She will be doing a nine-city North American tour in support of THE MINISTRY OF UTMOST HAPPINESS. We will be going to the Brooklyn event at BAM.

 

On the film front, I will shamelessly plug two films produced by my spouse. If you haven’t already, you should watch Kitty Green’s brilliant, disturbing, and moving “hybrid documentary” CASTING JONBENET on Netflix. James has just returned from the Cannes Film Festival where Jean-Stephane Sauvaire’s PRAYER BEFORE DAWN, which will be released in North America by A24 later this year, received a ten-minute standing ovation at its midnight premiere.

 

And that’s it for my newsy news report (in which I have not until now mentioned glowing orbs, Russia, or cruelty budgets).

 

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Nancy Kricorian