In the past few weeks, the world has witnessed a series of murderous attacks, ranging from the U.S. “mistakenly” killing more than 70 civilians in Syria, and suicide assaults in France and Afghanistan, as well as a failed coup in Turkey, which has now resulted in a purge against suspected plotters as well as a witch hunt against journalists and academics. The presidential election pageant, which seems to be stretching into infinity, would be hilarious if it weren’t so terrifying. My mood was buoyed by watching from afar as my CODEPINK friends and colleagues disrupted the proceedings at both conventions.
This Friday my spouse James Schamus’s directorial debut will be opening in New York City and Los Angeles, rolling out in other markets in the following weeks. There was a fine profile of James in this past Sunday’s New York Times Arts section. Billboard Magazine ran a piece about the 1950’s pop song James and composer Jay Wadley wrote for the film. So far most of the reviews have been great, with many more to post in the next days and weeks. I particularly liked this one from Deadline: “As for Schamus, whose previous screenplays have largely been collaborations with Ang Lee, he turns in an extremely accomplished directorial debut proving there is great life beyond the executive suites in Hollywood.” And I must share the Rolling Stone review by Peter Travers: “Schamus reveals his gifts as a filmmaker who respect the words and the space between them in equal measure.”
In literary news, my review of Atef Abu Saif’s The Drone Eats with Me: A Gaza Diary was published in the July issue of IN THESE TIMES Magazine. I thought this article about “The Subtle Art of Translating Foreign Fiction” was worth sharing—and it has a few paragraphs for those still recovering from #FerranteFever. Also, there is a new (non-fiction) Ferrante book being published by Europa Editions in the fall—Frantumaglia: A Writer’s Journey. Another fascinating glimpse into the writing life is this thoughtful piece by Viet Thanh Nguyen, entitled “Winning the Pulitzer changed the value of my book and myself.”
And finally I wanted to share this beautiful essay and accompanying photograph by Antoine Agoudjian in which he pays tribute to Armenian resilience in the face of terrible loss.
July 28, 2016